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Mar 272015
 
Photo by Erik S. Lieber. (L-R: Anne-Marie Stehn, Jim Allen, Sean McMorris, Robert Sorkin).

Photo by Erik S. Lieber. (L-R: Anne-Marie Stehn, Jim Allen, Sean McMorris, Robert Sorkin).

There is a quiet self-assurance in the manner in which New York melodic rock outfit Lazy Lions approach their music. Certainly, a band has to be if it decides to play in the 60s/70s pop-rock sandbox. The pop-rock of the 80s to be more precise, as the band lays claim to the influences of Elvis Costello, Squeeze, Joe Jackson, The Cars and Crowded House. The tunes have an easy charm about them – on songs like “Tiny Little Cracks” and “Diane”, it’s not difficult for the unwary listener to begin humming to the refrains. Quirky numbers like “Let the Bad Times Roll” and “Scientific” help to keep thing somewhat interesting. Songs tend to be mid-tempo as a rule and a change in pace now and then would not have hurt. That all said, the slinky “You Can Run” and the smoky “Creep Across the Night” offer enough of a variation to demonstrate promising versatility. But if it’s straight-ahead rocking pop songs you want then “February” and most of When Dreaming Lets You Down, will not… erm… let you down. Jim Allen shared with us a couple of his thoughts about the band and their music.

Why did the four of you come together as Lazy Lions?

We had all done a lot of different things individually. I put out three records as a solo singer/songwriter, Rob had been a classical French horn player (who just happened to also be a killer guitarist), Anne-Marie had been in a band that ended up on a major label and did a ton of touring, and Sean had played with Richard Lloyd of Television besides being a singer/songwriter himself with solo albums out. To be totally honest, I just heard somebody say the words “lazy lions” one day and thought “What a great band name, I’m gonna start a band and call it that!” So I did. That’s really how it started!

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Mar 262015
 

Ransom

Power of Pop is always on the lookout for new music that stays faithful to the 60s/70s template for melodic pop-rock or rock ‘n’ roll or power pop. Ransom and the Subset – one fine example of this – is the brainchild of singer/songwriter/guitarist RanDair Porter. It’s latest album, No Time to Lose, was released in September 2014 but it’s always better late than never when it comes to great music. For Pop Underground fans, this is really a no-brainer – from the opening Jellyfish-referencing power chords of the infectious “Anna”, it’s clear that Ransom and the Subset has got what it takes to hypnotise like-minded fans of The Cars and Weezer. In particular, the single “Million Out of Me” is an effective ear-worm that will have melody junkies hitting repeat. Read what RanDair has to say about the band and the music.

How did the band get together?

I had a cover band together for the last few years – The band was called “Subset”, because the members were a subset of a band I had in High School. The bass player lived in San Diego and me and the drummer up in Seattle. I had become interested in recording some of my originals but, for whatever reason the project wasn’t something the of the other members were able to participate in. I called the project “Ransom and the Subset” – I did this because I wasn’t sure who would be singing on the project and I did not want to name the band after a single individual. There is no one named “Ransom” in the band.

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Mar 172015
 

RaleghLongHoverance

I met English singer-songwriter Ralegh Long last year when he visited Singapore and found him to be an unassuming, down to earth chap. You can listen to my interview with Long here. What I particularly liked about Long was the deep commitment to his craft and that he found inspiration from cult singer-songwriters like Robyn Hitchcock and Epic Soundtracks. This dedication can be seen in his songwriting, which can be best described as ‘traditional’ and ‘old-fashioned’ in that it relies on sophistication, orchestration and courageous musical choices to get the job done. Certainly not a bad combination! On his debut album, Hoverance, Long delivers a robust collection of deceptively simple songs that beg for closer inspection. Utilising tools of emotional resonance like pedal steel, a string quartet and woodwinds, Long imbues a baroque-like feel to the songs that engender a melancholy ambience that is impossible to ignore. I caught up with Long via email to get him to talk about how he put this gorgeous album of heartfelt songs together.

What were your inspirations for the mood and atmosphere generated for the album?

The mood and atmosphere came from sounds I’d had in my head for a while. I’ve always heard woodwinds in particular as a kind of synthesiser. I guess the pedal steel element came more accidentally. I asked Jack Hayter (Ex-Hefner) to play on a song called “Elizabeth” off my previous E.P The Gift and then we worked more and more closely together until he now plays in my band.

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Mar 152015
 

It’s certainly heartening to see Singapore Rock (or S-ROCK) finally begin to get its dues in its hometown in 2015. It seems that suddenly everybody in Singapore loves S-ROCK! Well, that’s an exaggeration of course but we have come a long way from 2005, to say the least. But whilst it’s great to see all and sundry jumping on the bandwagon now (including an app by that very name!), I just want to put on record that Power of Pop has been supporting S-ROCK for over 15 years and we will never ever stop! So, here’s your S-ROCK flashback for today. Enjoy!

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THE FIRE FIGHT
Big Music for the Golden Age

“Our vision and mission is such that we want to change people with our music, in a sense to bring people together and to learn how to love. Music is something that engages every individual’s emotions, very directly in fact. In this way, we can have very personal contact with the listener, even without them being in our presence. That’s what we hope our songs can do” – Josh Tan

As a mission statement, I’d wager that there are precious few corporate entities, never mind fledging Singaporean rock bands, that can boast such vision, such singleness of purpose. But that’s exactly what the Fire Fight is all about. Believe it!

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Feb 252015
 

CampbellApt

The Campbell Apartment, named after a bar hidden inside New York’s Grand Central Station, is the brainchild of Russian born singer-songwriter and oil painter Ari Vais. Ari’s new Sundogs EP is the proverbial breath of fresh air in a modern rock scene obsessed with superficialities. No such issues with Vais and his straightforward musical agenda. The songs take top priority – memorable melodies and relatable lyrics – clothed in classic pop-rock arrangements and instrumentation. Tracks like “Something in the Way” and “Heroic Audio Display” hearken back to a kinder & gentler times (the 90s), the last hurrah of the Pop Underground, where thought and effort are put into communicating a genuine emotional resonance through words and tunes. By the time one gets to the music hall jauntiness of final number “What Do You Think Of That”, it’s easy to feel a sense of regret that there isn’t more. But that’s the harsh reality of releasing marginalised forms of music in 2014. So if you love songs that balances intelligence with musicality, support The Campbell Apartment and the Sundogs EP! Find out below how and why Ari Vais does what he does!

How did you start writing songs?

I must have learned how to play guitar well enough as a 10 year old to learn a bunch of Beatles songs by the time I was in high school, and then Floyd, Zeppelin, finally some REM and Lou Reed songs, and then around 16, a slew of my own songs where the burst of writing didn’t cease until recent years. I still write but not as prolifically. I guess when I started as a teen, the tunes were based on traditional chords, as well as chords that I had no idea what they were, where my fingers were just doing some formation that happened to sound cool and go with the song, because I still didn’t know my way around a guitar that well, and trying for clever words or earnest poetic ones, hopefully with a tiny dash of humor, and a strong melody. The last bit was the most important, and very much still is.

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Feb 242015
 

SEOULSONIK 2014

Last June, we did an interview with Annie Ko, frontperson of Korean indie electro-rock trio Love X Stereo. Well, the group is now a duo consisting of Annie and Toby Hwang and is ready for the new year with a new EP, consisting of new material and re-recorded favourites. Part 1 of the We Love, We Leave album is already out now and indie pop fans will enjoy the new viz. the dynamic synth-pop energy of the sultry title track and the throbbing dance-able “My Anywhere” and the ‘old’ viz. the exciting versions of “Soul City (Seoul City)” and “Chain Reaction”. We caught up with Annie again to get some insights of where the duo is right here, right now.

Five of the songs on the new EP are re-worked versions of previously released tracks, why?

We were selected for government support provided by KOCCA in order to make a new record. Before we go any further, we wanted to take a step back to rearrange/rerecord our previous tracks, because we always wanted to. Originally, we wanted to make a LP with mixtures of old & new, but we had a strict time restraint, and that’s why we ended up splitting into two EPs. First one represents “We Love”, and the next one represents “We Leave”.

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Feb 192015
 

Hangabouts

Yes so why does it seem that the music of yester-year is miles better than anything new? Seems to have been the case since Y2K (mayhaps that was what the Millennium Bug was really about?). Consisting of John Lowry, Greg Addington and Chip Saam, the Hangabouts bring to mind the wonderful pop-rock music of 90s bands like Fountains of Wayne, Pernice Brothers and Teenage Fanclub where melody is paramount above all else. Lovers of that special rock era will never tire of what the band has to offer and will savour Illustrated Bird from beginning to end. Of course, suffice to say that the three Bs loom large as influences i.e. The Beatles, The Beach Boys and The Byrds. It does not get any better than this when it comes together this well. Check out the interview we did with the band below.

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Feb 182015
 

FeralConservatives

Rashie Rosenfarb & Matt Francis aka Feral Conservatives seem like your typical two-piece indie rock band, except that their style does not quite fit in with your White Stripes/Black Keys garage-blues-rock cliches. In fact, Rosenfarb plays a mandolin (!) and there is a pleasing alt-country direction that the duo quite excel in. Their four-track cassette/digital release The Feeling Noise Becomes is a refreshing roots-pop take on modern rock that deserves closer attention. Rosenfarb shared with us the thinking behind the Feral Conservatives sound.

Is contrast an important element in your music making?

Yeah, we like to create a balance between noisy/chaotic and soft and delicate. I think it’s become a big part of who we are starting with my voice and the shimmery tones in the mandolin vs. Matt’s powerful drumming style and it’s just progressed from there.

How did the mandolin become part of your sound?

The two off us started off playing together in another band that was more garage rock back when we first became friends and I was just playing mandolin for fun (I played bass in the other band.) Matt and I started a folky side project with the mandolin not too much later and eventually the band we were in broke up so we just decided to transition everything we were creating into our side project. That’s how FC’s came to be and then it just morphed into more of a rock band while maintaining the folky elements and the mandolin to the fore.

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Feb 012015
 
Photo Credit: Katie Hovland

Photo Credit: Katie Hovland

Gotta hand it to Chicago’s Treasure Fleet, not only did they release two albums within six months of each other in 2012 (the excellent Future Ways and Cocamotion), the band also expanded their horizons by producing a film – Sun Machine – which premiered last year at London’s prestigious Raindance Film Festival.

The soundtrack, available for pre-order now and out February 10th on Recess Records, is a timeless sounding psychedelic rock opus that might very well have been produced in 1969 for all we know! The music of Treasure Fleet is an absolute joy for classic pop-rock (The Who, Pink Floyd) lovers and will definitely appeal to fans of like-minded indie rockers Temples, Pond and Tame Impala.

Thankfully, Isaac Thotz (singer-songwriter) was cool enough to share with us everything (and we do mean EVERYTHING) we needed to know about Treasure Fleet and Sun Machine. Set your controls for the heart of the sun…

What is the motivation behind playing music that some might (erroneously) consider ‘dated’?

What’s funny is I don’t even think of it like that. I remember being a kid in the 80’s and the popular music that was coming out then, I didn’t like the tones and the production, and so I thought contemporary music sounded very dated, just like 70’s haircuts and brown plaid couches looked very dated to me then. And looking back now that music still does sound dated. But that’s always the case in art and pop art that people are going to trend toward certain conventions as a fad. Today there are conventions in popular music and underground music that sound very dated to me. In mainstream pop music, certain inflated acoustic drum and guitar tones are in. Anthemic choruses are in. In underground rock excessive unnatural reverb on vocals is in. In hip hop spastic hi hat sampling is in. Those sorts of production choices all sound very “dated” to me right here in the moment. In terms of our music sounding of a different era, I just have my natural biases and preferences. I like 90’s hip hop drum beats and tones better than today’s. I like the Beatle’s song structures. I like the four piece rock band arrangement. I like the mellotron. I don’t mind trashy rock drums, but I dislike poor singing. I love harmonies. Those are just my own personal biases. But then to get to the motivation of how we want to produce our music-I think we just want it to sound “timeless”. I think there are bands that try to sound much more of a particular era than we do-most often it’s the current era. We don’t approach it like that. Rather, we like to try and make something where people will hopefully go “when was this made”…”where were these guys from”. There’s definitely a starting point from which we’ve taken ideas, basically it’s been from the start of rock and roll. But that’s just a starting point, and we’ve always tried to pull ideas from all eras since. If some of those ideas seem old, it’s because they are. But others are very contemporary, and as I said, the goal is to make the whole thing seem timeless at some point out in the future.

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Jan 272015
 

Screen shot 2015-01-27 at AM 09.46.46

Tim De Cotta (Bass/ Vocals), Audrey Tengkey (Piano, Keys and Synth) and Teo Jia Rong (Drums) make up TAJ, bringing forth an exciting new venture, and great contribution to Singapore’s contemporary jazz scene.

Now the above (from the Darker Than Wax press release) sums it up pretty well. 70s jazz fusion lovers (with emphasis on ‘fusion’) will dig TAJ’s debut EP – The Astral Journey – for its grooves, virtuosity and attitude. Followers of old school soul-R&B-funk will thrill to the authentic spirit behind songs like “Taj Yo’self” and “Old Town MOFO”, not to mention the dreamy title track that demonstrates so much emotional resonance, it’s hard not to fall in love with Audrey Tengkey’s fingers… and the sultry vocoder-ized vox on “Daydream”. Too much sexy. Something for everybody here! Get in!! Now!!!

But of course, we wanted to know more about the folk behind the awesome music and so I present to you… TAJ, in their own words…

How did the band get together?

We got together by chance actually. It was 2012 when Tim and Audrey went with the Singapore contingent to MIDEM in Cannes, and through rehearsals for this showcase Audrey and Tim got to know and like their musical styles in their respective bands. So when they came back Audrey invited Tim to an open jam session at LaSalle with other young musicians and students. It was a shed session to just have fun and also to try new things. Drummers, keyboardists, bassists and turntablists even. So JR was one of the drummers there and as the jam went on, it was clear that the chemistry between the 3 of us whenever we were on our instruments together was really strong! We didn’t just jam the songs per se but we moved and evolved them in a matter of minutes. So eventually, we started meeting more and more often, till it became just exclusive to the 3 of us, jamming covers and then eventually writing our own music. It happened very naturally and faster than usual, also because we became great friends. TAJ was born and on 1 Oct 2013, we released our single “The Astral Journey”.

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REMAKE, REMODEL, RE-WIND!

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Jan 212015
 

Re-Wind

The original line up of Miami Power Pop legends, The Wind, are back with their first release in 30 years….Re-Wind!

Singer-songwriters, Lane Steinberg & Steven Katz (aka Steve Barry) have worked together as both the creative force behind The Wind (1981-1988), and as a duo under the name Tan Sleeve (1998-present).

Now that drummer Steve Burdick is back, Re-Wind represents the trio’s first recordings for over 25 years and for power pop fans, it’s good news. Very good, in fact. The moment “Fight Like a Girl” kicks in with its guitar arpeggios and floor toms, it’s obvious that the band has lost none of its chops and sets the tone for the rest of this album. The warm balladry of “Let Me Show You How It’s Done”, the jaunty jollity of “Weak Spot” and the folk-rock of “Yes and No”demonstrate The Wind’s mastery over the melodic rock form, complemented superbly by the high production values. Re-Wind is a great-sounding album and comes with our highest recommendations.

We managed to pick Steve Katz’s brains to talk about the return of The Wind.

What was the impetus to re-form The Wind?

When Lane Steinberg and I look back on all our musical endeavors over the years, both together and separately, the early years of The Wind was the high point, due to the chemistry we had with drummer Steve Burdick. Steve had played drums on several songs on all the Tan Sleeve CDs. So it was almost The Wind, but not quite. Making a whole album as The Wind seemed like a logical step that we should have taken awhile ago.

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Jan 162015
 

Rundman

The best part about running Power of Pop for over 15 years is the opportunity to interact with artists who are as obsessed about music as I am. Case in point: singer-songwriter Jonathan Rundman whom I first got a review request from, in 1998! Since then, we have remained in contact whenever Rundman had a new release – which I was more than happy to review. So it’s particularly satisfying to write about Rundman’s latest release – LOOK UP!

Rundman is the classic pop-rock singer-songwriter as he combines elements of country-folk in a smart amalgam of 60s and 70s pop and rock influences and certainly fans of Bruce Springsteen, Tom Petty, Neil Young and Bruce Cockburn will warm to his music easily. After all, when melodic pleasure meets with clever lyricism, it isn’t too demanding to desire further investigation.

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Jan 152015
 

GarfieldsBirthday

For better or worse, Garfields Birthday is a Power of Pop kind of band. Meaning that the music of Garfields Birthday upholds all the principles that Power of Pop believes must exist in order for music to be vital and powerful. Strong melodies with classic pop-rock arrangements and an uncompromising attitude to make music that is all about… the music.

Since the mid-90s – the height of Britpop – Garfields Birthday has been sporadically releasing EPs and albums that have never failed to adhere to the classic pop-rock aesthetic, even as this kind of music continues to be marginalized in the mainstream pop world.

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Jan 132015
 

echodrone

A band that lives up to its name! SF outfit Echodrone finds a nice balance between 90s shoegaze and new millennial electronica, covering the gamut from driving rock to ambient textures with equal intensity. Consisting of Brandon Dudley, Eugene Suh, Jim Hrabak, Mike Funk & Rachel Lopez, the quintet has been active since 2005 and latest album – Five – finds the band in an assured place creatively, bringing together the pleasing elements of soaring guitars, pummeling rhythms and hypnotic motifs to produce a work that hits all the right buttons.

We got in touch with Echodrone to find out more about what the band are about.

What are the records that inspired your sound?

I think you can see a wide variety of influences in our music :)

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Jan 102015
 

Screen shot 2015-01-10 at PM 05.07.39

Dublin trio No Spill Blood do an excellent job in mixing up various cool influences to produce a visceral sound that fans of progressive metal will thoroughly enjoy. Consisting of Matt Hedigan (bass/vocals), Ruadhan O’Meara (keyboards/vocals) and Ror Conaty (drums), the band have concocted a debut full length that fans of Black Sabbath, Killing Joke, Trans Am & The Melvins will not want to miss. O’Meara’s keyboards is the distinguishing factor and the absence of a guitar does not diminish the immediacy or heaviness one bit. Tracks like the driving “Back to the Earth” & “Now II”, the dark electronic title track, the manic “Thinner”, the punk-ish “El Duurto” and the riff-tastic opener “White Out” bear testimony to the trio’s eclecticism in the midst of its consistent. sonic agenda.

Keyboardist/singer Ruad O’Meara kindly agreed to answer our probing queries via email.

Does the band name have anything to do with Island of Dr Moreau?

It does indeed, or more specifically the film version “The Island of Lost Souls”. Its also the title of an Oingo Boingo song, and its also where DEVO got “Are we not men” from jocko homo etc. It seemed fitting to get a bunch of references in at once!

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Dec 032014
 

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By Nikita Wong

One hit wonders Hoobastank (remember “The Reason”?) gave us a deeper insight of their journey during the press conference held at Hard Rock Hotel. Commemorating their success as a band for the past 10 years, Hoobastank revealed the struggles they had to overcome as they parted from their record label.

According to the band, record labels were only concerned with producing the “The Reason” Mark II and were not genuinely interested in the well being of the band or their music. Being independent now, the band is able to allow their creative juices to flow.

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Nov 212014
 

JagwarMa

A fabulous double bill awaits rock fans when Jagwar Ma joins The Flaming Lips on 1st December at The Coliseum. So here’s an email interview we did with the former’s Gabriel Winterfield and the results were good fun, as you will soon discover.

PoP: Last time out, you had to cancel a performance at Laneway Singapore – could you share with us what happened?

Gabriel: I tore a ligament in my knee, and was unable to perform or travel. Very sad. I’ve been waiting to get another chance to play Singapore ever since. 

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Nov 202014
 
Squeeze

Photo credit: Quixotic Records

I love the early Squeeze records but my favourite is probably Sweets from a Stranger (1982). Although lumped together with all the other 80s ‘new wave’ bands, Squeeze were/are basically 60s pop revivalists with erudite lyrics/sophisticated melodies being the main emphasis. Check out a video of the band playing “Points of View” below.

Formed around the songwriting nucleus of Chris Difford (lyrics) & Glenn Tilbrook (tunes), the duo were hailed as the Lennon-McCartney of their era and deservedly as well. Following Squeeze’s second breakup in 1999, Tilbrook embarked on an acclaimed solo career. Tilbrook will be performing in Singapore at Hero’s on 29th November and I caught up with him via a short phone interview.

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Nov 132014
 

RethinkAIDS

Always an exciting prospect to catch some of the brightest indie rock talents in Singapore but when the event also serves to raise awareness of an important cause then, the reasons to attend increase! With a fairly varied lineup as well, Rethink: AIDS promises to be an exciting #sgindie day out. We got in touch with organizer Jared Rezel to find out more.

PoP: How does a music event raise awareness for a cause?

Jared: Music fans tend to connect to their favourite artists via their music. The bond between the audience and performer is hence strengthened through their attendance at live music events. As the bands perform at this event, they will be constantly promoting our cause through their songs and shoutouts, strongly conveying our message to the audience and ultimately succeeding in raising awareness for our cause.

PoP: In what ways are you asking people to “Rethink AIDS”?

Jared: We never actually wondered what we would do if we found out our friend has AIDS and decided to think more about this issue. Most of us realised that we’d probably avoid these friends for fear of contracting this disease. However when we look at the facts, there is no risk at all unless we were planning to engage in some sexual activity with these friends. Hence we want people to rethink the facts they know or think they know in hope that they would ultimately rethink these subconscious stereotypes they place on the people suffering from AIDS. Most AIDS campaigns are all about the ‘safe sex’ aspect especially what we learnt back in sex ed classes in school, hence we felt that our event could influence youths to relate more to the social side of AIDS.

PoP: How should the public attitude towards AIDS change? What should it be instead?

Jared: Most people know the dangers of AIDS or rather HIV and they know that they want to avoid it as far as possible. However, it’s that avoidance and some misunderstanding that has led to stereotyping people with HIV/AIDS as well. We want people to know the facts & the dangers but at the same time, not treat the people with it any differently. Basically, we want people to remove the links between AIDS and friendship, since sex isn’t a requirement of friendship.

PoP: What do you hope attendees will take away from Rethink: AIDS?

Jared: Besides enjoying music and introducing more people to local music, we hope that they at least gain new perspectives towards AIDS. Ideally, we hope that they would change their attitudes towards people with AIDS and treat them as normal people.

PoP: Can you explain the process behind the selection of the bands?

Jared: We wanted to find bands who were rather current and had a pull with different groups of people hence reaching out to a variety of people. We were not so worried about the genre, for example, AVA. When people see a post hardcore band, they usually think like these guys are rebels. But seeing them standing for something good fights for our cause even more.

More info here.

Nov 122014
 

PUPtheBand

Here at Power of Pop, we emphasize substance over form, artistry/creativity over genre/styles and champion the right attitudes over cynical media manipulation. PUP fits the bill perfectly. Its eponymous album is a shameless celebration of edgy pop-rock music with energy and melodies to die for! Power of Pop caught up with the band via email and vocalist/guitarist Stefan was kind enough to answer our queries.

POP: How did PUP get together?

Stefan: The other 3 guys have known each other forever. Zack and Nestor grew up on the same street. They were playing around town in a few shitty bands and I was in a shitty band as well. Eventually we got bored of those projects and decided to band together to form a slightly less shitty but still shitty band called PUP.

PoP: What is the best thing about being PUP?

Stefan: We’ve had the chance to travel the world the past year. It’s been incredible. Getting to play music with your best friends every night in different weird places is the best thing in the world. And sometimes you get to play with your favourite bands and that’s cool too.

PoP: Why should anyone listen to PUP?

Stefan: You probably shouldn’t. But if you do it’ll be because you’re bored.

PoP: How do decide which song gets on the album?

Stefan: We wrote a bunch of songs, and just chose our favourite ones. We weren’t trying to choose ones that sounded the same or worked together or anything… We just wanted the 10 songs on our first record to be the best 10 songs we’ve written.

PoP: Would you wanna play in Singapore?

Stefan: Of course! that’s another adventure for us.

Hopefully we’ll get to see PUP in action in Singapore sooner rather than later! In the meantime, listen to PUP (the album) now.

Official Site

… still there’s more …

PoP RECOMMENDS: MOTHBOXER

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Sep 112014
 

MB-sand-and-the-rain-cover

Some of the classic pop music was written in the studio, without having been road-tested in live performance. The Beatles and The Beach Boys come easily to mind, of course. Appropriately, Dave Ody (aka Mothboxer) names both bands as principal influences and it’s no surprise that his music reflects the same ethos that his more famous forebears pioneered and mastered during the 60s.

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Aug 282014
 

Ralegh Long is a UK singer-songwriter who likens his music to cult artists like Epic Soundtracks and Robyn Hitchcock. Long was in Singapore recently and we got together with him to talk about his musical roots, influences, being an artist in the internet age, EP releases, and also the future. Listen below via Soundcloud.

Official Site

Jun 242014
 

“A sphere is an ultimate expression of unity, completeness, and integrity” – so begins Sphaeras’ self-description! So it’s certain that its responses to our FIVE questions about Baybeats 2014 should be a hoot!

Why should fans check out your performance at Baybeats?

We are the only instrumental band to have made it through the auditions; we offer an entirely different brand of music that (we hope) will reshape your opinion on instrumental music. Our live performance on the big stage is guaranteed to be full of energy, emotions and spontaneity. Words often inadequately encapsulate how we sound live, so check us out at Baybeats, (best of all) for free!

Why are you excited about playing at Baybeats?

As an event that we have attended religiously, we have seen many great bands/artists grace the stage over the years. It is exhilarating to have been privileged with this opportunity to introduce our music to an audience of a size we typically wouldn’t reach. Additionally, we get to watch and play alongside fantastic bands that include fellow budding acts Stopgap and False Plaintiff.

Why do you think you were selected to play for Baybeats?

From what we have gathered, the judges were especially impressed with our display of music technicality and also our ability to deliver complexity in a natural, seamless form. The judges were also impressed with our standard of performance during the outdoor audition – remarking that we had ‘set a high bar’ – considering that it was actually our first time playing in front of a live ‘audience’. Interestingly, Zakhran Khan, in all his glory, was ceremoniously compared to Bani Hidir (B Quartet, 53A, Youthwreck) repeatedly for his unmistakable prowess.

If you had to choose just three bands to watch at Baybeats, which bands would they be and why?

1. Giants Must Fall: It has been ages since we’ve seen them play and we really dig their Leprosy and Anchor EP. Can’t wait to hear them live.
2. Earthmover: Our friends from Anechois and Bandwagon gave some great reviews of them from their trip to the Philippines. We weren’t disappointed with their material online and are sure they will be awesome at this year’s Baybeats.
3. Two Million Thanks: They have their own twist of the math rock genre and a kickass music video. It would be interesting to witness them live.

When and where are you playing at Baybeats?

We’ll be playing on Friday, the 27th of June, 8 – 830pm at the Arena (Esplanade Outdoor Theater).

BAYBEATS 2014: ENEC.E

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Jun 232014
 

I remember the first time I saw Enec.e (pronounced “Enecdote”) in performance, I thought to myself that they were the perfect fit for Baybeats. So I am pleased as punch to see that that my instincts were spot-on! But then again, I am slightly biased, as Lisa, Michelle, Alek and Shafiq were my Noise mentees in 2013 and so am righteously stoked for them and for the people lucky enough to listen to their wonderful music at Baybeats 2014!

Why should fans check out your performance at Baybeats?

Alek: Because we have new material and even we are really excited to share them with you guys!

Why are you excited about playing at Baybeats?

Shafiq: It’s our first time playing in such a big music showcase so it’ll be fun to see how much we freeze up on stage between songs. Haha!

Why do you think you were selected to play for Baybeats?

Michelle: ENEC.E has an inverse exuberance in it’s music, portraying dark vibes in lyrical proses to give our listeners a slight push off the edge of their seat as they find relations with the songs. I guess that’s why we were selected?

If you had to choose just three bands to watch at Baybeats, which bands would they be and why?

Lisa: To be honest, that is a really difficult question because there are so many bands that I want to watch! But if I were to narrow it down to 3, then I would say Monster Cat, Stopgap and Wyd:Syd! I tend to prefer big sounds and full-band arrangements, so, as these guys are going to play at the bigger stage with highly professional crews and topnotch sound system, I’m pretty sure the experience would be a lot more memorable than what I have had!

When and where are you playing at Baybeats?

We will be playing on 28 June at 5pm and 8pm at the Chillout Stage! See you guys!

 

BAYBEATS 2014: LIGHTCRAFT

 MUSIC  Comments Off
Jun 202014
 

How can you not be intrigued by a band that describes itself as “an antidote for rainy days, sleepless nights, mournful moments, lovelorn phases and sleepy mornings”.  With that in mind, let’s see how lightcraft dealt with our FIVE questions about Baybeats 2014 (via Imam).

Why should fans check out your performance at Baybeats?

Because most people don’t know us from Adam! We’re very much an unknown quantity in Singapore (we’ve only played there twice, and they were aeons ago), but we might just tickle someone’s fancy in one way or another. Besides the obligatory songs from our latest album that we’re currently promoting, “Colours Of Joy”, we’ll also be debuting a few brand-new songs too. Expect 45 minutes of melodic, anthemic songs that are peppered with melancholy; perfect to soothe your weary heart and soul.

Why are you excited about playing at Baybeats?

Without wanting to give off the slightest hint of sounding cheesy, it honestly has been a dream of ours to play Baybeats – ever since our days in KL – so it’s amazing to be invited at last after fantasizing about it for more than six years. We’ve been buzzing ever since we got the call. We’re looking forward to meeting and making new friends, and to share our music to everybody over there. We can’t wait!

Why do you think you were selected to play for Baybeats?

Well, we’d like to think that the hard work that we have put in all these years have finally paid off, and our progress has impressed someone out there. Nobody knows for sure, but either way, we’re just over the moon that we’re given this opportunity.

If you had to choose just three bands to watch at Baybeats, which bands would they be and why?

Only three? This is a tough one!

They Will Kill Us All would be one, because we’ve played with them a number of times back in the day in KL, and they’ve always been an awesome band, even with the line-up changes and slight shift in musical direction.

Pitch Feather, because they’re curious about us, and we’re curious about them as well.

Can we cheat and lump in both Inch and Monster Cat together as a package? They’ve been at the forefront of the Singaporean indie music scene, they produce music of the highest quality and we’ve never seen them live before.

When and where are you playing at Baybeats?

We’ll be playing on Saturday, June 28, at 9.15pm (our compatriots, the hard-as-nails Seringai, will also be playing on the same evening), over at the Arena stage (Esplanade Outdoor Theatre).