Lofi minimalist indie pop is the name of the game for Tall Friend.
Last time out, we took a closer look at POWER POP in our analysis of the key genres that make up our preferred musical styles. Next, we look at POP.
M1LDL1FE are definitely here to stay! Based on the raucous EP launch last Saturday where a crowd of millennials packed into a room at an industrial park along Henderson Road, it appears that life is going to be wild rather than mild for this very popular indie pop quartet.
What’s the story behind that band name?
It was a combination of a few things, some of which were practical (Take Two is a name for so many things other than bands) but also, in our individual personal lives as well as within the band, we had experienced quite a few changes. Some of us got married and bought houses, John decided not to carry on with the band, some of us came out of long-term relationships and we have grown up in different ways. So naturally the music changed as well, the sounds in our heads and the things we wanted to say had changed. We had changed but at the same time felt more comfortable in our own skin than ever before, so we needed a name that reflected that.
Here we go! A new EP from Obedient Wives Club finally!!
This is the quirky new single from Crumb.
Gorgeous retro-pop has been Obedient Wives Club’s modus operandi since they first appeared with their debut EP five years ago and they are back with a new single!
Buzz-worthy indie pop phenom Cigarettes After Sex share a new song off highly anticipated eponymous debut – dropping June 9th.
Japanese Breakfast (a.k.a. Michelle Zauner) has shared a music video for “Machinist,” the lead single from her new album, Soft Sounds From Another Planet, available for pre-order now and due out July 14th on Dead Oceans.
Just got alerted to this single release from Bright Boy.
Proper Ornaments is the project of James Hoare (Ultimate Painting, Veronica Falls) and Max Oscarnold (Toy, Pink Flames).
Discovering new pop music with POWER – with heart & soul! Enjoy!!
Last time around, Morrissey wowed an enthusiastic audience at the Fort Canning Green back in 2012. Well, the indie pop icon is coming back to our shores on Saturday 15th October at the Marina Barrage.
Don’t miss out!
Today we highlight two rock bands you can boogie down to at the Baybeats Open Stage this weekend! Find out more!!
Once upon a time, pop and rock came together and made a baby, and its name was Pop-Rock. Very strictly speaking, Pop-Rock is a fusion genre that mixes a catchy pop style and light lyrics in its (typically) guitar-based rock songs. Other genres that bear similar traits would be Powerpop, Melodic Rock, Soft Rock, Jangle Pop, Glam Rock, New Wave, Indie Pop and of course, Rock ’n’ Roll.
We Are Scientists is a New York City-based indie rock band that formed in Berkeley, California, in 2000. It consists of guitarist and vocalist Keith Murray and bass guitarist Chris Cain. Helter Seltzer is the band’s 5th album.
Rock ‘n’ roll might not have the same commercial or cultural impact it used to have but we promise to keep the flag flying.
Here are videos of new music you should be listening to that expresses the spirit of rock ‘n’ roll. Enjoy!
Veteran Scottish band that come out of the C86 indie pop movement to become one of the prime movers of dance-rock in the 90s. Chaosmosis is the band’s 11th album.
One of the most refreshing discoveries of this year for Power of Pop has to be Glasgow-based indie band, Tuff Love.
Their new album Resort – a compilation of three previously released EPs is the perfect jumping on point for anybody who has not heard of this amazing band yet.
Best part of all this is that based on the answers from Julie and Suse, Tuff Love is as charming, witty and down to earth as their heartfelt music suggests. Enjoy!
Scottish indie pop has a rich history going way back to Orange Juice, Aztec Camera, Altered Images, The Bluebells and Lloyd Cole & The Commotions back in the heady days of the 80s. Say hello to Glasgow’s Tuff Love, who carry on this tradition with sunny, tuneful guitar pop that recalls a special time.
Now here’s one that snuck under the radar. Released earlier in the month, this is a three-track EP that contains some of the better pop songs heard this year.
Best Coast is one of those bands that critics love to hate. There’s the common accusation that the hype over the band is over singer Bethany Cosentino and the gossip surrounding her life and not the music. Trolls claim that Best Coast’s music is simple and dumb, writing the band off as any kind of musical force.
While I do agree that Best Coast’s music is simple, that in itself does not make the music dumb. To be honest, the kind of power pop parlayed by Best Coast has been bettered decades ago by The Muffs, Essex Green and Dressy Bessy but compared to what passes for modern pop in 2015, Best Coast is a breath of fresh air!
Like Vivian Girls and Cults, Best Coast owes a huge debt to the 60s girl groups, 70s power pop and 80s indie pop and there’s nothing wrong with that if one is able to crank out infectious numbers like “Feeling Ok”, “Heaven Sent” and “So Unaware”. More power to Best Coast – keep the pop coming!
Will we ever see a band like Nirvana again? It’s hard to believe that the Nevermind album – which changed the face of the music industry in the early 90s – is now 24 years old! And since the decline of rock ‘n’ roll music in the late 90s, no other rock band has come remotely close to replicating the impact of Nirvana. Yes, we have had successful rock bands since viz. Nickelback, The Strokes, The Killers, Arctic Monkeys, Coldplay et al BUT relatively speaking, these have been minor successes when compared to the seismic pop culture impact of Lady Gaga, Katy Perry, Beyonce and the like. Artistically as well, most of these aforementioned bands have failed to deliver.
Curiously enough, the last time critics declared the demise of rock ‘n’ roll was in the late 80s, when Michael Jackson, Mariah Carey and Whitney Houston ruled the roost, but as the wheel turned rock bands like R.E.M., Nirvana and the Seattle grunge scene ascended to the top of the charts. Well, it’s almost 25 years now and there appears to be no sign of rock ‘n’ roll ever returning to those levels of influence in the mainstream pop industry.
Still, that does not mean that good rock ‘n’ roll music (whether in the guise of pop-rock, indie pop, hard rock, electro-pop, blues rock, garage or punk) wasn’t being made in the last 15 odd years, it’s just that the environment of the music industry has been altered so drastically that it is virtually impossible for what happened in the early 90s to occur once again. The decline in record sales, the rise of singing contests (American Idol, X-Factor etc) and the ubiquity of Youtube, has meant that the major labels have had to hedge their bets and cynically control the musical output and fan appreciation thereof.
This has resulted in the most basic pop formulas viz. hip-hop/R&B accounting for the lion’s share of the chart action. These are 3 of the top 5 singles on Billboard’s Hot 100 right now.
The one main thing connecting all three singles is a highly designed discipline to present the melody/rhythms as simplistically and repetitively as possible so that the hooks are very easy to remember. A deliberate lack of musical sophistication that dumbs down to the lowest common denominator creating an audience that is not able to appreciate anything that does not sound like what it hears on a non-stop basis on the radio. The perfect marketing tactic.
In fact, guitar rock is totally absent for the Top 20, with the nearest example being Maroon 5, and even though the music video for “Sugar” shows the band with guitars, it does not sound like there are any guitars on the song itself! In fact, it adheres greatly to the hip-hop/R&B formula with Adam Levine’s vocals heavily auto-tuned. Talk about soul-less! Going down the rest of the chart will depress any fan of rock ‘n’ roll with the genre’s utter lack of representation.
So, are the rumours true? Is rock ‘n’ roll dead? Well, not at the grass roots level of course, as both in the USA and the UK, there continues to be scores of bands who create great rock ‘n’ roll music, it’s just that even with the oft assumed ability of the internet to connect bands and fans, it’s the major labels leveraging on radio stations, streaming services and Youtube (again!) who will have the attention of mainstream music fans.
There’s the rub. If the major labels feel that the new rock ‘n’ roll have the fan base to make them sit up and notice, then they might feel the need to throw money that way. The question is — will the youth of today ever get tired of the formulaic pop stars being paraded before them? Will they ever hunger for something different enough to alter their listening habits? The signs have not been encouraging. The irony is that whilst the internet is always being trumpeted as the champion of free and alternative choices, the harsh reality is that the internet is still ultimately the tool of our corporate masters to dictate what food we should eat, what clothes we should wear and of course, what music we should listen to.
However, for those of us who are able to think critically for ourselves, the internet provides a means of escaping these corporate shackles and we can only do this by supporting the bands that do not conform to the grand masterplan of our overlords. Then, these bands might have the opportunity and liberty to create the kind of music we desire and love. So, is rock ‘n’ roll in a crisis? Not if rock ‘n’ roll fans continue to support the right bands and be evangelistic about the music they love.
Yes, PoP visitors, the ball is in YOUR court…
In the meantime, check out the Power of Pop playlist at Spotify highlighting 30-odd British guitar rock bands you should be supporting! Please FOLLOW!
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Love X Stereo‘s “We Love, We Leave” gets a music video that visualises its conceptual thrust perfectly. The video itself is ambitious, arty and yes, sexy – leaving a throbbing mess that usually comes as a result of conjugal action. The song, already a powerfully appealing single in its own right lifts off when set to these tempting visuals. Kudos to all involved. Don’t feel guilty if you enjoy it too much…
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KAMCO Music started life as KAMCO Records in 1998 – a label through which I could self-release Popland’s Groovy album. 17 years later, KAMCO Music (physical releases are so passé) embarks on a new adventure with digital distributor Believe Digital with the re-issue of my three solo releases thus far.
Previously released only on Bandcamp, this EP is now available at iTunes, Amazon (etc) and the relevant streaming platforms for the first time. Contains the radio-friendly “I Want What I Can’t Have” and you can buy it for a reasonably low price.
Emo FASCISM (2013)
My first album since 2001, was released on the 20th anniversary of my first LP, Democracy (with Watchmen). Notably distinctive for containing mostly jazz-pop numbers (!) and also having a single rejected for radio play by Mediacorp Radio viz. “Beyond the Ashes”. Now you really need to pick this up!
Originally released under the Watchmen moniker (and also only on Bandcamp), I have decided to reclaim @midnight EP as a solo release. Significant for featuring a youthful incarnation of The Groovy People viz. Esther Low (keyboards), James Lye (guitars), Low Han Quan (drums) and Brian Leery (bass). Mid-priced as well! Enjoy…
Re-issues of Watchmen, The Crowd and Popland to come in the next two weeks.
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As you can see from my blurry pictures, the Biltmore Cabaret was absolutely packed and rocking for Glass Animals last night. Playing songs mainly from their lovely debut LP – Zaba – the quartet hypnotized the young-ish audience with its dynamic mix of indie pop and EDM vibes. Everything seemed to happen in a slo-mo trance as frontman Dave Bayley bedazzled the crowd with tasteful melodies & sharp guitars whilst the insistent groove keep the momentum going into 7th heaven. Songs like”Black Mambo”, “Gooey” & “Walla Walla” had the kids in dance extacy!