Well you turn when I talk/Run when I walk/Rise when I fall/Burn when I shiver/Smile when I frown/Go when I come around/You twist when I shout/In when I’m out/There when I’m here/Why do I bother?/Laugh when I’m down/Whine when I make a sound
I didn’t realise how much I would be affected by The Great Spy Experiment’s swan song performance until I sang along to “The Great Decay” and I lost it – the tears rolled freely and all the precious memories flooded into my mind.
One of many emotional high points of House of Riot’s ambitious concert to put Singapore indie music where it belongs – in the mainstream. How else to describe a concert at a packed out Esplanade Concert Hall where I failed to recognise the majority of the audience? This was no longer an underground movement, this was a Singapore audience doing something never done before, paying hard-earned money for SINGAPORE acts playing at arguably one of the best (and most prestigious) concert venues on the island!
iNCH opened the night, resplendent in a cape playing familiar tunes (“Chefalo Knot”, “The Artful Dodger” & a spine-tingling “Dear Paramour”) and a couple of new tunes (“Lyre Lyre, Hearts on Fyre” was particularly affecting). It was clear that the enormity of the night’s achievement was also weighing on iNCH as paid an emotional tribute to those who had been supporting her music since 2009. It was a victorious comeback for the petite singer-songwriter, with a new EP due in September.
Hard to believe that the GSE are no more but all things must pass and surely, there could be no better way for this Singapore indie rock institution to say goodbye! It has been eight years since I first thrilled to their music and tonight the songs seemed stronger and grander – from “Late Nite Request” to “Class ‘A’ Love Affair” – it was an emotional farewell. It was a proper Singapore rock send-off in a venue more suited for classical music, which in itself was so symbolic. An unforgettable performance from a beloved S-ROCK band. Thank you and love always – Saiful, Fandy, Mag, Khai and Song!
And finally, Charlie Lim – surely, the brightest hope for Singapore rock. Backed by the Mothership, Charlie played tracks off his hit new double EP Time/Space with aplomb and finesse. Personally, I favour the folk-rock majesties of “Light Break In” (kudos to the string section of Lisa Haryono, Josh Wei and Kim Eun Hyung), “Choices” and “Bitter” where Charlie’s heartfelt lyrics are expressed in rustic tones but my new favourite “I Only Tell the Truth” (this time with Charlie on keyboards) also provided a memorable ‘lump-in-throat’ moment. Triumphant!
The audience stayed behind as Riot chief honcho Mike See took time to appreciate everyone who played a part in the magnificent venture. It was heart-warming to see a primarily mainstream audience giving a standing ovation to a group of Singapore indie artists (and I include managers and crew into that description) and receiving the deserved recognition that has for so long been denied. Mike rightfully described the success of the event as historical – those of us who remember the scene of a decade ago would have never imagined the scenario which unfolded before our very eyes. But tonight on June 6th 2015, Singapore rock came of age.
… still there’s more …