Some of the best horror movies ever made involve characters getting caught up in a common misfortune: home invasion. While rampant gore, the undead, and killer clowns are creepy and frightening, nothing is scarier than a horror film which revolves around everyday events. These terrifying home invasion movies will have you triple-checking your door locks at night well after Halloween is over.
If you haven’t seen The Walking Dead Season 6 Episode 3 yet, then I suggest you stop reading because SPOILERS ensue!
Spoilers lie in wait. You have been warned.
Following the ongoing success of The Walking Dead, AMC and creator Robert Kirkman brought us the prequel companion series Fear the Walking Dead, having decided to give us the chance to experience the infection from the beginning. Concluding its first season this past Sunday, the show gave us an interesting look at the slow fall of civilization that led up to the impending zombie apocalypse we see Rick and gang battling. But for a season that (according to most fans) started out slowly, it ended with quite the bang and one of the largest walker hordes shown to date.
The new TV season is upon us geeks – even as Fear The Walking Dead and The Strain end their respective storylines for the time being (both will definitely be back), The Leftovers returns.
Considering how popular The Walking Dead is, it’s no surprise that this spin-off did well in terms of viewership. Fear the Walking Dead was a disappointment though and never got near to the intensity, drama and characterisation that its parent series managed in its powerful debut season (which was also only six episodes).
The Strain‘s second season was rather mixed. Plotlines were left dangling, women characters were killed off & still we are nowhere closer to resolving key issues.
Now, I enjoyed the polarising quasi-religious HBO series The Leftovers and am glad to report that Season 2 is off to a great start by introducing a new town and a new family into the storyline before more familiar faces turn up. As usual, all the weird elements remain intact – goat sacrifice in a diner, anyone? – with ominous undertones bubbling under the surface wonderfully.
The Walking Dead is one of the most successful shows currently on television and with good reason. It is a smart, character-driven drama that has captivated audiences by constantly developing their characters and letting us become invested in their stories as they journey through the zombie apocalypse. It seems that AMC is hoping to make lightning strike twice by creating a companion series for the popular show entitled Fear the Walking Dead.
Instead of in the south, Fear the Walking Dead takes place in Los Angeles in the several-week period that Rick Grimes was in a coma and is unable to witness the slowly descending horror. We are able to watch how things fall apart in a major metropolitan area as it crumbles under the weight of the hordes of the undead.
Am beginning to despair at The Walking Dead. Group characters are dropping like flies in Season 5. A bit of an overkill, I would argue. Yes, I understand the dynamics of this dystopian future reality but it’s still ultimately a TV show. It’s almost dark for the sake of being dark. As more is revealed, we discover that Alexandria is not the paradise we imagined (as expected) and in sharp contrast to our group, the Alexandrians are not willing to sacrifice their lives for their fellow man.
With two episodes left till the end of the season, the series is building up to a climax that will most probably end in tears. Who will be left standing? I shudder to think.
What’s going on? Why are our intrepid gang of survivors acting like the bad guys? How am I supposed to feel about Carol threatening a young child in order to conceal a secret? Are Rick and company totally unable to adapt to normal life and trust anyone now?
These questions and more will plague you as you try to understand the fundamental changes confronting our favourite characters on The Walking Dead. Despite the apparent peace and calm of Alexandria, Rick, Carol and Daryl are expecting the worst and are acting accordingly.
This will all end in tears. It is guaranteed.
Things come to a head in this episode as we move ever closer to the finale. The ambitious Amy makes her play against Michael – the result of which is discovered by Julia thirty years later! Amy also figures in negotiations with Sarah to secure the return of her immortal child (in one of the creepiest sequences thus far).
The Coast Guard returns to St. Germain with its officer-in-charge spouting cliches after cliche and the CDC team – now led by Alan – head out to get to the bottom of the pantagen, once and for all. Meanwhile, in the future, the plot gets more and more convoluted. Hopefully, the loose ends will tied up soon.
Our gang of survivors begin to settle in at Alexandria but our favourite characters are waiting for the pin to drop. Who can blame them, after all the trauma that they have been through in the last five seasons? Halfway through this transitional episode Carl tells Rick that he is worried they would get ‘soft’ if they stayed in Alexandria and by the end, Rick is confident that being ‘soft’ is no longer a part of who they are and rather ominously declares that if the inhabitants of Alexandria are not good enough, then they would take over.
There are signs of tensions even in this superficially placid surroundings but one feels that Rick and company are well suited to handle any challenges and ironically, they might prove to be the biggest threat to the well-being and security of Alexandria. A great turn of events and change of pace that as usual keep the proceedings intriguing. Kudos!
The 2nd season of Helix has done very well in shifting focus on different characters and casting as protagonists and antagonists in equal measure depending on particular perspectives. Amongst Alan, Peter, Michael and Amy it was never clear who was the actual villain of the piece. But finally, the role has settled on Michael. Yes the placid, seemingly even-tempered cult leader is actually a 400 year old immortal, who has lost touch with his humanity decades ago and despite appearances to the contrary, appears to be aware of every single machination within his community. Enough to be constantly ahead of the game, so to speak. Rather masterful writing, I must say. Discovering the truth, the CDC team now have to thwart Michael as he executes his horrible endgame.
That all said, it is strange that Julia’s story seems to have fall out of the narrative almost completely. What happened in the 30 years later timeline? Will we get back to that? Too many questions in that respect. But definitely worth finding out!
Possibly one of the best Walking Dead episodes in recent memory and it was achieved without having to kill a major character! All it did was examine the question of trust in the post-apocalyptic world of The Walking Dead. After having suffered at the hands of the Governor and the cannibals of Terminus, it’s easy to understand Rick’s reluctance to trust anybody. But what if someone comes along and tells Rick and group that there is a relative paradise waiting for them? Too good to be true? When does playing safe become dangerous? For Michonne, that time to trust a stranger like Aaron is now, and finally Rick has to decide whether he can do so and put his children potentially at risk.
It’s as simple as that but of course, it isn’t simple at all and the tension and drama flows from the audience asking the same question that Rick does – can we trust these people? Well, can we?
Definitely the most intense season 2 episode thus far as Amy ramps up her plans to get away from Brother Michael and the island. One cannot blame her considering the outrageous revelations made concerning the relationship between Brother Michael and herself. The most unlikely villainess but kudos to the writers for making it so. The CDC team is not in good shape either as the mistrust bred amongst them threatens to destroy them, even as Alan Farragate plays his role as agent provocateur to perfection.
On Julia’s side, the writers chose to tell her story not from the ’30 years later’ perspective but a background tale on what happened after Julia joined the Ilaria Corporation. Disorientating to say the least. Not sure why the writers decided to make that jump as it does not seem to add anything to the ‘present day’ narrative whatsoever. Am just wondering how long it will take for Brother Michael and/or the CDC team to figure out that Amy is behind everything.
Alright, so we are spoiling season 2 episode 5 with the above image which reveals that cult leader Michael is actually an immortal. But of course, that was hinted by the scores of portraits on his wall and the different generations of women advisors (they are all his daughters apparently). So, is Caleb (from the 30 years later storyline) also Michael’s son? Who knows? This revelation needed to come as the plot lines were steadily going nowhere.
As it was, the fact that certain cult factions were working against the CDC team without any consequences or concern from the ‘benevolent’ Michael seemed a tad too convenient. So maybe this revelation accounts for Michael’s constant placid demeanour. Elsewhere, Alan and Peter sort out their differences without satisfactory resolution with Peter once again keeping his cards close to his chest. Sure, I understand that secrets keep a story intriguing but too much is not a good thing either. In any case, we need some answers and soon.
After the traumatic episodes on both sides of the mid-season break, this episode caught up with our merry band of survivors to find them struggling with a crisis of faith. Season 5 has seen more death, more disaster, more peril than ever before. Inevitably, the question must be broached – what’s the point of going on? Why not just give up? For Maggie, Sasha and Daryl, it seems as if their will to live has gone, even as Beth and Tyreese have gone. The pain is difficult to take and it does not help that the group is exhausted running out of food and water as they make the long trek to Washington D.C.
Quite like episode 9, there is a lyrical, poetic quality to “Them” as the group’s grapples with their biggest challenge – not walkers and not evildoers but themselves. After all, if you cannot convince yourself to keep living, then the battle is already over. This is encapsulated by Rick when he says – “… we are the walking dead” even as the group shelters from the storm. However, moments later when the will to survive is given the ultimate test, the group collectively brave the storm and live to fight another day. Kudos to the writers for giving us yet another deep episode without compromising on zombie kills.
One of the best series on TV now. But you knew that.
No way to talk about the return of The Walking Dead without spoilers. So if haven’t caught up, read no further.
Remember when I said the strong point about the second season of Helix was the two parallel storylines? (present and future) Well, that only holds true if the storylines keep things interesting. And while more information was given about the disease (something to do with bees), the future scenario was awfully cliched even if it contained a kickass fight between Hatake and Julia.
The whole plot with Hatake seemed irrelevant even if his re-appearance initially suggest exciting possibilities. No answers there whatsoever. The episode ends with a cliffhanger as two characters from both timelines lay dying in a pool of their own blood. Yeah yeah nobody’s going to die but at least there’s incentive to tune in to episode 5. Just about…
Despite changing its setting completely and introducing a flashforward narrative to its plot, Helix has been slowly introducing familiar characters from the first season to the current one. This time (in “Scion”), it’s Dr. Hatake (above) – a key player first time round, to make Julia’s job of saving the Immortals that much more complicated.
Alan gets more involved in the present and the CDC team is discovering that there is more to the cult than meets the eye (duh!). There are double twists at the end – one we probably saw coming and the other that will keep us guessing till the next episode.
Syfy series Helix is back and while it retains much of the key features of season one (i.e. deadly pathogen, CDC involvement, death, gore, immortality and conspiracies), season two differs significantly in having two separate storylines (one in the present, and one in the future). Yes, the LOST flashforward is back!
Curiously, there are a few parallels with LOST – besides the flashforwards, the CDC team is trapped on an island, there is a cult group headed by an enigmatic leader and secrets kept within secrets. Two episodes, there is much to recommend the show with — after one absorbs the disorientating changes from the season one finale.
Written and Directed by Jennifer Kent.
Starring Essie Davis and Noah Wiseman.
Who or what is The Babadook? In the context of this horror film, it is the supernatural creature that terrorizes widow Amelia and her young son, Samuel. The monster turns up mysteriously in Samuel’s cupboard as the titular character in a pop-up book entitled Mister Babadook.
From that point in the film, the Babadook slowly imposes its frightening agenda on mother and son, till it’s an open confrontation that does not – to Kent’s credit – resolve in a clichéd manner.
From the psychological angle, perhaps the monster represents unresolved issues that Amelia has failed to address, concerning the untimely death of her husband and Samuel’s father.
Within the virtually one location premise (the residence), Kent delivers genuine scares without having to resort too much violence or gore (or special effects) – the terror is induced very much by pacing, cinematography and music and for the most part, work very well.
Essential viewing for horror movie fans.
Directed by Carl Tibbets. Written by Charlie Brooker.
Starring Jon Hamm, Oona Chaplin, Rafe Spall, Natalia Tena.
Black Mirror is one of the smartest sci-fi horror TV anthology series ever produced – “a Twilight Zone for the Twitter age” as a reviewer aptly put it. The series debuted in 2011 on BBC and thus far six episodes (three in each season) have been made covering issues relating to the impact of technology on modern life. Without wanting to spoil anything, let’s say that these six episodes are essential viewing for geeks everywhere.
Our look at the geek movies of 2015 continues with the 2nd half of the year dominated by the return of the Star Wars movie franchise with Star Wars VII: The Force Awakens. Nothing even comes remotely close between that and Avengers: Age of Ultron – which means serious moolah for Disney, doesn’t it? Not many trailers to feature here but will update as and when trailers are released. Check out Part One here.
Terminator: Genisys (1 July)
Cameron’s Terminator gets rebooted with a couple of twists & turns along the way. Most ridiculous thing is that Arnold is back as an aging robot! A non starter but might be good for (unintentional) laughs.
You might say it began with Dexter.
Remember how it felt all those years ago when you first watched Dexter? You mean, the hero of the show is a serial killer? Mind-blowing, wasn’t it?
Considering how unique and groundbreaking Dexter was, it’s rather amazing that it’s taken almost seven years for more tv series involving serial killers to show up. In 2013, we’ve had The Following, Bates Motel and Hannibal take up Dexter’s challenge. Truth be told, it’s been a mixed bag so far from these three offerings.
The Following actually presents us with an entire cult of serial killers led by the charismatic Joe Carroll (James Purejoy) and pursued by the FBI and former agent Ryan Hardy (Kevin Bacon). The series started out promisingly enough but since then has degenerated into a totally implausible tale, where the FBI is constantly represented as incompetent and helpless whilst Carroll, is somewhat portrayed as an infallible super-villain! Utterly preposterous – the inherent flaw in the plot requires that Carroll never be caught which results in ridiculously unrealistic stories. What is truly amazing is that the series has been renewed for a second season already! Now that is a crime…
Bates Motel is obviously based on elements taken from Alfred Hitchcock’s seminal Psycho movie. A prequel of sorts but set in modern times (the movie was, of course, filmed in the early 60s), Bates Motel is a strange beast and so far rather mystifying. There is a general creepiness about the town in which the Bates (mother Norma and young son Norman – not forgetting older son, Dylan) reside in and there is a sense of a dark underbelly to the town in question. The leads (Vera Famiga and Freddie Highmore) do credible jobs with their respective roles and there is enough brand awareness to keep viewers interested (as evidenced by the series being renewed for a second season) but overall, I am waiting for the series to deliver a more than average impact.
Although only the premiere has aired thus far, Bryan Fuller’s re-imagining of Thomas Harris’ Red Dragon holds the greatest promise of the trio. Focusing on the relationship between special FBI investigator Will Graham (Hugh Dancy) and psychiatrist Hannibal Lector (Mads Mikkelsen), there is much to admire in Hannibal. The genuine attempt made to connect the audience with Graham’s fraught psycho-analytical experiences and Mikkelsen’s deliciously dark portrayal of the sinister Lecter, makes Hannibal one of the more surprisingly successful TV series revolving around a serial killer.
With Dexter on its last legs, I am betting on Hannibal to deliver the thrills, spills and yes, the kills, in the weeks to come.
Fans of The League of Extraordinary Gentlemen will be excited to find out that creators Alan Moore and Kevin O’Neill have delivered a spin-off story not long after the end of the Century trilogy. Published jointly by Top Shelf Productions and Knockabout Comics, this is how the publishers have summarized the plot for your easy consumption —
It’s 1925, fifteen long years since Janni Dakkar first tried to escape the legacy of her dying science-pirate father, only to accept her destiny as the new Nemo, captain of the legendary Nautilus. Now, tired of her unending spree of plunder and destruction, Janni launches a grand expedition to surpass her father’s greatest failure: the exploration of Antarctica. Hot on her frozen trail are a trio of genius inventors, hired by an influential publishing tycoon to retrieve the plundered valuables of an African queen. It’s a deadly race to the bottom of the world — an uncharted land of wonder and horror where time is broken and the mountains bring madness. Jules Verne meets H.P. Lovecraft in the unforgettable final showdown, lost in the living, beating and appallingly inhuman HEART OF ICE.
As usual, Moore strings together characters from various fictional universes (in the public domain, of course) to weave his own distintive story. This time around, we find ourselves in the pulp fiction world of the 1920s, when science-adventurers captured the imagination of its reader. Moore uses his 56-page allotment economically, setting up the conflict quickly and resolving the same with a deft touch. It’s basically one big chase scene across the frozen wastes of the South Pole before both pursued and pursuers get their minds blown by the horrors torn from the pages of Lovecraft’s In The Mountains of Madness.
These frightful conjurings are brought to life by O’Neil’s wide-eyed angular illustrations. The grizzled features of Janni’s henchmen contrasted greatly with the relative youth of the young Captain. And once the crew slips into Lovecraftian territory, O’Neil is adept at delivering horrific representations of these classic monsters as well.
Good pulp-ish fun all round in the grand LOEG tradition. Not to be missed!
Ghost Child is a made in Singapore horror film, inspired by the “Toyol” or “Kwee Kia” of South-East Asian mythology. At its Facebook page, the plot is described thus –
Struggling to accept the death of her mother, Kim suddenly has to deal with a new mother in her life. Her dad, Choon, brings home a woman one day and announces his decision to marry her. A series of mysterious incidents start to occur soon after.
Once again, director Gilbert Chan takes on a horror film with local flavour and like 23:59 before, largely succeeds in connecting with its target audience (i.e. teenagers). The film manages to be effective in terms of delivering scares (without almost any gore whatsoever) due to dynamic editing and an excellent sound design. In addition, the lead actors (Chen Han Wei 陈汉玮, Jayley Woo Jiaqi 胡佳琪, Carmen Soo 苏慧敏) have done enough to establish sympathy so that their horror is shared with the audience.
Story-wise, much is unexplained – which is either puzzling or mysterious, depending on your perspective – but at least there are no lulls in the narrative whatsoever as any excess is trimmed to a minimum to keep the action moving. On that score, the film succeeds.
Check out the trailer below.
Ghost Child opens in cinemas on March 7th.
Sam Raimi’s original Evil Dead is/was a genre-defining horror classic with some of the grossest scenes ever committed to celluloid (tree rape, anyone?). This remake updates the original with Fede Alvarez at the helm and has Raimi and Bruce Campbell on-board as producers. Does it have any chance of coming close to the beloved original? Watch the redband trailer and make up your own mind. Not for the faint of heart – you have been warned! Hitting cinemas in April 2013.