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Apr 092013
 

You might say it began with Dexter.

Remember how it felt all those years ago when you first watched Dexter? You mean, the hero of the show is a serial killer? Mind-blowing, wasn’t it?

Considering how unique and groundbreaking Dexter was, it’s rather amazing that it’s taken almost seven years for more tv series involving serial killers to show up. In 2013, we’ve had The Following, Bates Motel and Hannibal take up Dexter’s challenge. Truth be told, it’s been a mixed bag so far from these three offerings.

The Following actually presents us with an entire cult of serial killers led by the charismatic Joe Carroll (James Purejoy) and pursued by the FBI and former agent Ryan Hardy (Kevin Bacon). The series started out promisingly enough but since then has degenerated into a totally implausible tale, where the FBI is constantly represented as incompetent and helpless whilst Carroll, is somewhat portrayed as an infallible super-villain! Utterly preposterous – the inherent flaw in the plot requires that Carroll never be caught which results in ridiculously unrealistic stories. What is truly amazing is that the series has been renewed for a second season already! Now that is a crime…

Bates Motel is obviously based on elements taken from Alfred Hitchcock’s seminal Psycho movie. A prequel of sorts but set in modern times (the movie was, of course, filmed in the early 60s), Bates Motel is a strange beast and so far rather mystifying. There is a general creepiness about the town in which the Bates (mother Norma and young son Norman – not forgetting older son, Dylan) reside in and there is a sense of a dark underbelly to the town in question. The leads (Vera Famiga and Freddie Highmore) do credible jobs with their respective roles and there is enough brand awareness to keep viewers interested (as evidenced by the series being renewed for a second season) but overall, I am waiting for the series to deliver a more than average impact.

Although only the premiere has aired thus far, Bryan Fuller’s re-imagining of Thomas Harris’ Red Dragon holds the greatest promise of the trio. Focusing on the relationship between special FBI investigator Will Graham (Hugh Dancy) and psychiatrist Hannibal Lector (Mads Mikkelsen), there is much to admire in Hannibal. The genuine attempt made to connect the audience with Graham’s fraught psycho-analytical experiences and Mikkelsen’s deliciously dark portrayal of the sinister Lecter, makes Hannibal one of the more surprisingly successful TV series revolving around a serial killer.

With Dexter on its last legs, I am betting on Hannibal to deliver the thrills, spills and yes, the kills, in the weeks to come.

 

 

 

Mar 142013
 

Fans of The League of Extraordinary Gentlemen will be excited to find out that creators Alan Moore and Kevin O’Neill have delivered a spin-off story not long after the end of the Century trilogy. Published jointly by Top Shelf Productions and Knockabout Comics, this is how the publishers have summarized the plot for your easy consumption –

It’s 1925, fifteen long years since Janni Dakkar first tried to escape the legacy of her dying science-pirate father, only to accept her destiny as the new Nemo, captain of the legendary Nautilus. Now, tired of her unending spree of plunder and destruction, Janni launches a grand expedition to surpass her father’s greatest failure: the exploration of Antarctica. Hot on her frozen trail are a trio of genius inventors, hired by an influential publishing tycoon to retrieve the plundered valuables of an African queen. It’s a deadly race to the bottom of the world — an uncharted land of wonder and horror where time is broken and the mountains bring madness. Jules Verne meets H.P. Lovecraft in the unforgettable final showdown, lost in the living, beating and appallingly inhuman HEART OF ICE.

As usual, Moore strings together characters from various fictional universes (in the public domain, of course) to weave his own distintive story. This time around, we find ourselves in the pulp fiction world of the 1920s, when science-adventurers captured the imagination of its reader. Moore uses his 56-page allotment economically, setting up the conflict quickly and resolving the same with a deft touch. It’s basically one big chase scene across the frozen wastes of the South Pole before both pursued and pursuers get their minds blown by the horrors torn from the pages of Lovecraft’s In The Mountains of Madness.

These frightful conjurings are brought to life by O’Neil’s wide-eyed angular illustrations. The grizzled features of Janni’s henchmen contrasted greatly with the relative youth of the young Captain. And once the crew slips into Lovecraftian territory, O’Neil is adept at delivering horrific representations of these classic monsters as well.

Good pulp-ish fun all round in the grand LOEG tradition. Not to be missed!

Top Shelf | Knockabout

 

 

GHOST CHILD [REVIEW]

 FILM  Comments Off
Mar 062013
 

Ghost Child is a made in Singapore horror film, inspired by the “Toyol” or “Kwee Kia” of South-East Asian mythology. At its Facebook page, the plot is described thus -

Struggling to accept the death of her mother, Kim suddenly has to deal with a new mother in her life. Her dad, Choon, brings home a woman one day and announces his decision to marry her. A series of mysterious incidents start to occur soon after.

Once again, director Gilbert Chan takes on a horror film with local flavour and like 23:59 before, largely succeeds in connecting with its target audience (i.e. teenagers). The film manages to be effective in terms of delivering scares (without almost any gore whatsoever) due to dynamic editing and an excellent sound design. In addition, the lead actors (Chen Han Wei 陈汉玮, Jayley Woo Jiaqi 胡佳琪, Carmen Soo 苏慧敏) have done enough to establish sympathy so that their horror is shared with the audience.

Story-wise, much is unexplained – which is either puzzling or mysterious, depending on your perspective – but at least there are no lulls in the narrative whatsoever as any excess is trimmed to a minimum to keep the action moving. On that score, the film succeeds.

Check out the trailer below.

Ghost Child opens in cinemas on March 7th.

Oct 252012
 

Sam Raimi’s original Evil Dead is/was a genre-defining horror classic with some of the grossest scenes ever committed to celluloid (tree rape, anyone?). This remake updates the original with Fede Alvarez at the helm and has Raimi and Bruce Campbell on-board as producers. Does it have any chance of coming close to the beloved original? Watch the redband trailer and make up your own mind. Not for the faint of heart – you have been warned! Hitting cinemas in April 2013.

 

I SAW THE DEVIL

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Jun 242012
 

THE DEVIL YOU KNOW

I must admit that I am a relative latecomer to Korean film. In fact, the first Korean film I ever saw was Oldboy. Seriously, that movie blew my mind and remains in my opinion one of the best movies ever made. So when I saw that I Saw the Devil also starred Oldboy actor Choi Min-sik, I just had to take a look and I was not disappointed.

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GEEK OUT! PROMETHEUS

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Jun 022012
 

IS THERE ANYBODY OUT THERE?

With John Carter, The Avengers and MIB3 out of the way, the serious contender for your hardcore scifi fan attention arrives in 5 days time as Prometheus opens in Singapore on 7th June. Marking director Ridley Scott’s return to scifi, Prometheus promises to be an epic horror-adventure flick to keep your senses and your mind engaged.

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LET ME IN

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Apr 112011
 

If you watched Let Me In without knowing anything whatsoever about the original Swedish film, you’d definitely walk out of the cinema hugely impressed and touched. However, if like me, you have seen Let the Right One In, you’d be scratching your head as to why this remake needed to exist at all.

Of course, I was expecting the worst – Hollywood remakes of non-US films tend to sentimentalize and smoothen the rough edges – but in this case, director Matt Reeves has created a faithful adaptation of the original source material. In terms of tone and atmosphere, it is almost identical to the original. The winter wasteland, the stark horror and the understated acting, for instance.

What Reeves does amp up slightly is the romance between the lead characters Abby (Chloe Morentz) and Owen (Kodi Smit-McPhee) and also, makes it emphatically clear that Abby’s ‘father’ (Richard Jenkins) is actually Abby’s companion (in the same way that Owen will become at the end). IN the process, making the movie more definitely, the passing of the torch – so to speak – from the ‘father’ to Owen.

Other than that, there are no surprises whatsoever and anyone has seen the original will find nothing new in Let Me In. So I ask again – what was the point of this exercise? Hurm.

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GEEK OUT! SUPER 8

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Mar 142011
 

Super 8 Trailer

First proper trailer for the Spielberg-Abrams secret project is now out! And doesn’t it look like am 80s alien/monster movie, directed by Spielberg? Not sure quite what to make of it… should be interesting in any case.

 

GEEK OUT!

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Jan 152011
 

Priest trailer

Director Scott Stewart seems to enjoy sci-fi horror with religious themes. Stewart was responsible for the critically panned Legion and now is back with Priest. Plot synopsis follows.

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THE WAKING DEAD SEASON 1

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Dec 162010
 

Episode 6: TS-19

It’s been more than a week since the finale of the Walking Dead aired but I am still pissed off with the really weak ending to what has been a very strong series. What was the point of the survivors going into the CDC building, enjoying certain home comforts and then fighting tooth and claw to get back into the world of “walkers” again?

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THE WALKING DEAD SEASON 1

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Dec 032010
 

Episode 5: Wildfire

Well, season 1 of The Walking Dead is all but over, with the finale to come. This particular episode I found to be extremely depressing as the aftermath of the zombie attack sinks in on the survivors. Amy is dead and Andrea mourned her, holding her throughout the night. As it turns out, Andrea was waiting for Amy to re-animate before saying goodbye and then blowing her brains out. Yikes!

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GEEK OUT!

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Dec 012010
 

There were only two superhero movie in 2010 viz. Iron Man 2 and Kick Ass (while Scott Pilgrim vs The World is based on a comic book, it certainly is not a traditional superhero movie). The former was a box office smash while the latter was a critical success. If you think the age of the superhero movie is over, think again.

In the years ahead, there will be many more superhero movies released and GEEK OUT! will attempt to give you the skinny on what is what is not as far as these upcoming movies are concerned.

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Nov 262010
 

Episode 4: Vatos

Assumptions. We all make them. Sometimes they are totally off-base. In this latest episode (written by creator Robert Kirkman), the audience is led to believe one thing but what is about to unfold is something completely different.

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Nov 172010
 

Episode 3: Tell It To the Frogs

So finally, deputy Rick is reunited with his wife, Lori, and son, Carl and the dynamic of the survivors’ camp changes completely. Of course, we know that in Rick’s absence, his good friend Shane has been getting it on with Lori. This affair (as it turns out to be) is kept secret from Rick and the couple have a special reunion that night.

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Nov 132010
 

PoPTV highlights more geek-oriented movie fare coming to a movie theatre to you.

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Nov 092010
 

Episode 2: Guts

And with this 2nd episode, the TV series (written and directed by Frank Daramont) is already miles ahead of the comic book. Make light years in fact. In the comic book, Glenn meets Rick Grimes and the two of them hightail it out of Atlanta in a flash but here, that escape from Atlanta takes up an entire episode’s worth. Like I said, light years ahead.

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Nov 032010
 

Episode 1 – Days Gone Bye

I’ve always been dead against the use of zombies in any pop culture format – books, comics, films and TV – the very concept seemed as cliched as the ubiquitous vampire. And after watching Shaun of the Dead and Zombieland, I was firmly convicted that the only way to treat zombies was with humor.

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VIDEODROME

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Jul 262010
 

If you’ve been following my recent movie review tread (and if haven’t, why not?) Videodrome continues in my look back at sc-fi movies that explore the concept of reality vs delusion (which began with the Inception review). Directed by acclaimed iconoclast David Cronenberg and starring James Woods and the gorgeous Debbie Harry, Videodrome (released in 1983) looks positively dated (due to technological advances) but its themes and concepts are still relevant.

IMDB synopsis -

Sleazy lowlife cable TV operator Max Renn discovers a snuff broadcast called “Videodrome.” But it is more than a TV show–it’s an experiment that uses regular TV transmissions to permanently alter the viewer’s perceptions by giving them brain damage. Max is caught in the middle of the forces that created “Videodrome” and the forces that want to control it, his body itself turning into the ultimate weapon to fight this global conspiracy.

As with most movies, Videodrome begins very promisingly but alas loses steam somewhere to the end and becomes somewhat incomprehensible as well. Of course, this may have something to do with the fact that most of the plot narrative is an elaborate hallucination in Max Renn’s damaged mind. And so what may be perceived as a weak plot may actually be lack of understanding on the part of the audience. Again, that may be the point of it all.

But this is Cronenberg after all, so there’s more than enough sex and gore to satisfy fans of both sci-fi and horror. Cronenberg is really after one major theme – does video ultimately alter our perception of reality? As I mentioned earlier as Videodrome was made in 1983, much of the tech looks very archaic by modern standards and thus would be ripe for a remake where Cronenberg’s theme is even more valid. True to form, Universal has snapped up the rights to do so BUT will this remake even come close to being as disturbing as the original. I seriously doubt so. In the meantime, get your minds scrambled once again…

Buy at Amazon

AMERICAN PSYCHO

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Jul 232010
 

Continuing on with the theme of movies asking the question, “what is real” is a film that is not science-fiction but screws around with your perceptions nonetheless. That movie is American Psycho (2000), directed by Mary Harron and starring Christian Bale.

First, the IMDB synopsis.

Patrick Bateman is handsome, well educated and intelligent. He is twenty-seven and living his own American dream. He works by day on Wall Street, earning a fortune to complement the one he was born with. At night he descends into madness, as he experiments with fear and violence.

Set in the late 80s/early 90s, American Psycho (based on the novel written by Bret Easton Ellis) focuses on the then thriving yuppie culture to deliver a pointed attack on greed and selfish behavior, bringing it to a psychotic conclusion in protagonist Patrick Bateman (Bale in a star turn).

For the first three-quarters of the film, the narrative whizzes by sharply as we follow Bateman through his schizophrenic existence – investment banker by day, serial killer by night. As the plot thickens, it seems that Bateman might be exposed for the monster he is but inexplicably, all evidence of his life of crime seems to have vanished.

Did it all happen in his head only? That ambiguity is never clarified even as the film ends with Bateman’s blank stare… rather brilliant, I might add.

Bale is the main attraction here and the rest of the cast (Jared Leto, Reese Witherspoon) is rather incidental. Particularly amazing are the moments he actually recites detailed reviews of his favorite music i.e. Huey Lewis & the News, Genesis and Whitney Houston. Hilarious and creepy, all at once! Lovely!!

Not for queasy stomachs but if you love black comedy and can appreciate a little gore for what it is, then go for it…

Buy at Amazon

JENNIFER’S BODY

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Jun 102010
 

A tween horror flick made by people who really should know better.

Written by Diablo Cody (Juno, United States of Tara) and executive produced by Jason Reitman (Juno, Up in the Air), Jennifer’s Body is really too clever by half, trying to be a shocking, funny satire (whilst being a vehicle for Megan Fox) and failing miserably. Sure, a proper analysis will discern that Cody’s script is multi-layered as it comments on high school relationships and such but the narrative pace is too pedestrian and predictable to carry through these concepts.

The main problem with the film is that whilst there are genuine witty moments in the dialogue, it’s just not scary enough and the low gore level will disappoint hardcore fans. Plotwise, this plays like a B-movie from the 70s (especially the rock band bit) with modern irony thrown in for good measure. The performances are mostly even, although Fox is (as always) only a pretty face and she cannot seem to transcend that.

So watch it for Megan Fox, if you must. Watch it if you like witty, ironic dialogue but please don’t watch it if you’re doing it for the horror.

Amazon

DAYBREAKERS

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May 222010
 

If you’re sick to death of all the vampire-themed movies and TV series that seem all the rage now, then you might want to consider the slight twist that Daybreakers offers to this jaded genre. Basically, in Daybreakers, due to an infection most of mankind have beend turned into vamps and the human minority served as blood supplies. Naturally, this is a diminishing resource and the vamps are in a race against time to find a blood substitute. The consequence of not doing so – vamps devolve into primal bat-like creatures due to blood impoverishment.

Don’t get me wrong, at its core, Daybreakers is a good B-movie but a B-movie nonetheless. There are intriguing performances from Ethan Hawke, Sam Neill and Willem Dafoe although the plotline does lose steam towards the end. Inevitably, deux ex machinas rear ugly heads and the ending will leave you less than satisfied. That all said, the movie is a visual feast and gore-fans will enjoy the over-the-top fight scenes.

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