New video from Deap Vally provides a visual interpretation of “Julian”, the 2nd track on 2016’s Femejism album.
Identical twins Wyatt and Fletcher Shears make up eccentric garage punk duo The Garden. The pair specialises in micro-songs that seldom to never reach the two minute mark. In fact, their last album – The Life and Times of a Paperclip – had a duration of 19 minutes. That said, the hauntingly jaunty new single “All Smiles Over Here” is almost three minutes! Whoa! New direction!
Kudos to Other Sounds for promoting these quirky and unique sounding little bands. Sleepwalker, is a brand new series of shows Other Sounds is organising in Singapore to bring a fresh and challenging new band to our shores every month this year from October to December. Sounds like fun!
Sleepwalker: THE GARDEN (USA) live in Singapore
with supports TBA
50 Lorong 17 Geylang
Sunday, 11 October 2015
Doors open: 8pm
$35 pre-sale / $40 door / $100 series bundle
TICKETS ARE AVAILABLE NOW:
… still there’s more …
BACK TO BASICS
In The Belly Of The Brazen Bull is a stunning return to form by The Cribs, fresh off the departure of guitarist Johnny Marr (of Smiths fame) from the band. Their long-awaited album (long-awaited as they have been waiting for the corporate indie ship to sink, article here) is their best yet, marrying the best of their signature no-holds-barred grunge and punk sound and the slicker and cleaner sound of their last release, Ignore The Ignorant. Declaring that with this album, The Cribs are taking on the mainstream “pop hell”, it sure doesn’t disappoint being chocked full of tunes, anthemic choruses, raw emotion, direction and attitude.
SHELLSHAG Rumors in Disguise (Don Giovanni)
The guy Johnny “Shell” plays guitar (and sings) whilst the gal Jen “Shag” plays drums (and also sings). I know what you’re thinking – White Stripes, right? Well, yes and no.
I mean, sure, that “fact” ties Johnny & Jen to Jack & Meg somewhat but as I’ve often ranted and raved, its all about the songs. What do they say? Let’s put it this way, it’s refreshing to listen to a band that knows its shit y’know. At its most basic, Shellshag songs string together the history of lo-fi melodic fuzzed-up guitar rock drones – The Velvet Underground, the Stooges, T. Rex, the Ramones, Joan Jett & the Blackhearts, Jesus and Mary Chain, Sonic Youth, Dinosaur Jr, Guided by Voices, Pixies, Nirvana – all feature as choice inspirations for these stripped down paeans to pure rock bliss.
In songs like the groovin’ Resilient Bastard, the relentlessly drivin’ He Said She Said, the slowburning caustic Get Right and the primal Rock and Roll Ruined My Life, Shellshag demonstrate that they possess the right influences and the means to express them creatively to deserve the attention of all discerning rock lovers.
Fifteen tracks of consistently and dynamically intriguing songs with little filler merits a PoP recommendation. Check Shellshag out. NOW.
Free download – Crashing Rockets
GOSSIP Music For Men (Columbia)
In case you’re still unaware of Beth Ditto, here’s the 411: She’s a rotund American songstress, champion of LGBT rights, and positive body image advocate, who, somewhere between these social undertakings, happens to be the vocalist of indie-rock darlings Gossip — a band you really need to know by now.
I know what you must be thinking. “Oh lord, not another one of those bands.”
Let me assure you, Gossip’s music is far from self-indulgent, in fact it is exceedingly compelling, particularly on their latest offering… and I don’t mean that in a lookit-the-queer-band sense of the word.
Music For Men is essentially a distilled version of Gossip’s body of work so far. That is to say, an amalgamation of punk attitude, soul-sista pipes, and jaunty indie-rock stylings, accompanied by a frenzied cornucopia of drums laid down by seemingly tireless hands. Not bad, considering that four albums on, Gossip (albeit with the loss of earlier-incarnation prefix “The”) have managed to retain a distinct sound that most other trios spend a large part of their career trying to achieve. All without losing much in the way of momentum, I might add.
The most aurally apparent observation one might draw from initial spins of the record is how polished it sounds, even though the vocals melody and rhythms register as oddly disjointed. There is a method to Gossip’s madness, one that lends itself to instantaneous identification upon consideration of the entire piece of music. It’s as if the band have reached a common consensus to steamroller through their convictions as a unified front, with their constituent idiosyncrasies providing the ruffled, worn-in character so often associated with some of the finest music ever made.
Gratifying, if I do say so myself. It’s refreshing to see a band that can truly stick to its guns. Highly recommended listening.
Check out Gossip’s Myspace page.