Once upon a time, Warner Bros ruled the superhero movie genre with its DC Comics lynchpin characters Superman and Batman.
Christopher Nolan’s game-changing Dark Knight is a decade old! Here’s my contemporaneous review.
It makes a whole lot of sense that the second film in Christopher Nolan’s reboot of the Batman franchise is called The Dark Knight. After all, Frank Miller’s Dark Knight Returns revived the moribund comic book industry (together with Watchmen) and challenged fans to take the super hero a bit more seriously than before.
Comic book artist Steve Ditko was found dead in his New York home this week. Ditko was 90.
Sideways is basically your high school superhero comic – the Spider-Man trope.
If like us, you consider yourself a true fan of the Alan Moore/Dave Gibbons masterpiece Watchmen, then you will be revulsed by Doomsday Clock, the purported Watchmen sequel.
The biggest superhero movie with a female lead (Elektra and Catwoman do not count!) arrives next year. By that time we might even have a female President of the United States.
If you have been paying attention, you will be aware that we loved Batman V Superman: Dawn of Justice whereas most critics reviled Zack Snyder’s magnum opus to such an extent that it scored only 27% at Rotten Tomatoes. Mind you, the totally awful Independence Day: Resurgence managed to score 33%, so that gives you an indication of how much critics hated BVS.
Well you know when it comes to big superhero comics crossover, it’s easy to be cynical & look at them as nothing more than cash-grabs i.e. a gimmick to lure completist fans to buy every comic ‘associated’ with the main event storyline.
Well, strictly speaking, the issues focusing on Batman, Superman and the Flash do not occur within the current continuity of the regular titles so, one might argue that these one-shots do not qualify as cynical cash-grabs but a genuine attempt to explore the implications of Darkseid’s death.