Punk trio Dirt Radicals began life as Pug Jelly and earned a reputation as Singapore favourite “pop punk ang mohs”, became Saw Loser and settled for The Dirt Radicals. Whatever. What matters is the music and in that department, The Dirt Radicals continue to deliver melodious, chirpy punk rock in spades. The Dirt Radicals are set to release their new EP “Duder.” on November 3rd, with pre-orders available now. The debut single “Your Heart” is already circulating on Lush 99.5fm. See music video below.
This October 17th, 2015 the band will be performing a free show at Hood Bar & Café at Bugis Junction, Singapore. Local heroes Caracal will be opening the show. Doors open at 6pm. For more information, log on to www.thedirtradicals.com.
Only one contender for PoP Album of the Year. JPNSGRLS epitomizes the best hope for the continuing history of Rock ‘n’ Roll even as the tsunami of prefabricated pop threatens to wipe our beloved music off the face of the earth. Nothing remotely hipster-ish about Circulation and thank GOD for that! Find out why below!!
Pride. I guess that was the emotion coursing through my veins as I watched Caracal deliver a set full of passion, dynamism and yes, even fun last Thursday at the launch of the new album, Welcome the Ironists, at the Substation.
The sold out concert attracted many familiar faces from the indie music scene but it was encouraging to see strange new faces, evidence that the scene is also appealing to newcomers, a very good sign.
I first caught sight of the band during Baybeats 2007 and it’s safe to say that Caracal is a totally different proposition as we come to the end of 2014. As they have grown older, the music has become slower and deeper, with tidy references to 90s grunge (Alice in Chains, Soundgarden, Screaming Trees et al) cementing the band’s burgeoning reputation.
The prime examples being “God Damn Tree”, “Divergence” and “Entrepreneur” where the band displayed an unprecedented emotional heaviness. But the highlight for me was probably when singer KC Meals dedicated “Given Breath” to all the band members’ parents – a touching moment that resonated.
Another high point – the encore that included crowd favorite “Cheers to Love” when audience and the band truly become one. Yet again, a spine-tingling memory to cherish. All told, a thoroughly satisfying rock experience. Kudos.
Thanks to Kitty Wu Records for making this review possible.
It’s here – the official music video for the title track off Caracal‘s amazing new album. The unconventional music video breaks up the song a little at the beginning but delivers a strong narrative and includes a little twist at the end for good measure. Kudos to all concerned.
Check out also my 5-star review at TODAY.
KittyWu Records has announced that Caracal has launched the pre-order for their forthcoming studio album Welcome The Ironists at iTunes. Listeners can pre-order the digital album on iTunes and receive an early download of the exciting new single “Welcome The Ironists”.
The new album was recorded and produced together with the band’s longstanding collaborator and dear friend – Singapore’s leading music producer and sound engineer, Leonard Soosay of Snakeweed Studios (The Great Spy Experiment, I Am David Sparkle). The album was mastered in Canada with João Carvalho of João Carvalho Mastering (Sloan, Buck 65, The Weakerthans, Death From Above 1979).
The full album is slated for release on 18 December 2014 and will be available in both physical and digital formats. Caracal will launch the album at The Substation on that night. Look out for the music video on 5th December at the band’s YouTube Channel.
I often use observations at gigs in Singapore to comment on how things have changed. And this final show of Anberlin’s in Singapore certainly revealed a lot about how far our indie music scene has come. I first saw Anberlin in 2007 and whilst the crowd then was exuberant, that show did not come close to the excitement displayed by the audience at TAB last Friday (12th Sep). In addition, the opening band this time round – Caracal – were rapturously received by an audience that easily accepted a local band on stage unlike say 7 years ago when local bands were tolerated at best as a necessary evil.
By the large, the main takeaway from this was the obvious mutual love between band and its audience – almost every song was sung in gusto, moshing broke out every and then & at the very end, the band was presented with a fan-made video that brought everyone in the venue (especially the band) to tears. All very sentimental, you will agree, but considering that Anberlin consists of men in their thirties (by and large) and is not a bunch pre-pubescent K-pop boys, the adulation is commendable. That Singaporean indie rock fans are able to make an emotional connection to a band beyond basic functionality proves that there is indeed hope for the future of arts and music appreciation in our formerly cultural desert of a country.
Kudos to everyone who made this performance a smashing success. Take a bow!
Thanks to Upsurge Productions for making this review possible.
Caracal, one of Singapore’s foremost post-hardcore bands, announces Japanese tour dates beginning mid September 2012. The band will play multiple shows in Tokyo and conclude the tour with a performance at Kansai Music Conference in Osaka.
“This is our first tour in Japan and we’re looking forward to be taking our music to new markets in the short span of five years. Japan will be our second international showing this year after Spring Scream Festival in Taiwan and we’re excited to meet new fans around the country,” said Martin Kong, drummer of Caracal.
11 Sept: Moon Romantic (Aoyama, Tokyo)
12 Sept: K’s Dream (Inage, Chiba)
13 Sept: CAVE BE (Shimokitazawa, Tokyo)
14 Sept: Koenji Club Roots (Chuo-ku, Tokyo)
15 Sept: Fan-J (Shinsaibashi, Osaka)
In early March, Singapore heavy rockers Caracal will be making its way to Canadian Music Fest, a week- long event which will feature Janet Jackson, Janelle Monae, Good Charlotte and more as its 2011 line-up. This would be the first time that a Singapore band has been invited to perform at the Canadian Music Fest.
Here we go, here we go, here we go…