LISTENING BOOTH – THE NEW ROCK N ROLL FT. MOLLY BURCH, EMILY JANE WHITE, HEIDI MAREE, NESSI GOMES & LOLA SPARKS!!! 

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Rock ‘n’ roll might not have the same commercial or cultural impact it used to have but we promise to keep the flag flying.

Here are streams of new music you should be listening to that expresses the spirit of rock ‘n’ roll. Enjoy!

Continue reading “LISTENING BOOTH – THE NEW ROCK N ROLL FT. MOLLY BURCH, EMILY JANE WHITE, HEIDI MAREE, NESSI GOMES & LOLA SPARKS!!! “

LISTENING BOOTH – THE NEW ROCK N ROLL FT. SWEET CRUDE, VOMITFACE, PFARMERS, BLESST CHEST & WARHAUS!!!

Listening Booth 2016

Rock ‘n’ roll might not have the same commercial or cultural impact it used to have but we promise to keep the flag flying.

Here are streams of new music you should be listening to that expresses the spirit of rock ‘n’ roll. Enjoy!

Continue reading “LISTENING BOOTH – THE NEW ROCK N ROLL FT. SWEET CRUDE, VOMITFACE, PFARMERS, BLESST CHEST & WARHAUS!!!”

EP REVIEW: ANISE – INWARD

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It’s amazing to consider that a mere decade ago, bands dominated the local indie music landscape. Now, singer-songwriters release music with a frequency that suggests some kind of epoch is upon us. This is a natural development of a maturing music scene. After all, singer-songwriters can express themselves to an audience without a band and thus, in practical terms it’s easier for singer-songwriters to find performance opportunities.

Continue reading “EP REVIEW: ANISE – INWARD”

EP REVIEW: THE QUARTERMASTERS FIND THE SWEET SPOT BETWEEN FOLK AND SOUL & PRODUCES A DEBUT EP FOR MUSIC FANS TO SAVOUR

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The Quartermasters want the music to speak for itself – no hype, no labels, just the music. On that count, this debut EP should be enjoyed on its own merits. By and large, it will be.

From a reviewer’s perspective, stripped of the need to pigeonhole this music, it is obvious that the Quartermasters’ goal was to make emotionally resonant music and again, on that count, they have succeeded.

For the bulk of the EP (viz. “The Harlot Train”, “Catch on Fire” and “Invincible”) reflects the influence of country-folk music that runs across the past five decades. Whether or not this music has been somehow appropriated by modern indie-pop fans (due to the popularity of Noah & the Whale, Fleet Foxes and Mumford & Son), there’s little doubt that the ‘age’ of the reference points have not impacted on opinions of millennials who have adopted this kind of music as somehow relevant and suitable modern pop.

Which goes to prove that folks still judge a book by its cover. Form over substance.

But these extraneous concerns are moot when one comes to the gorgeously soulful “Worry”, which manages to insert jazz-inflected harmonic progressions within its generic country-folk construct. No mean feat and at over six minutes there’s a whole lotta country-soul to enjoy!

SINGLE REVIEW: SAYING GOODBYE TO ANOTHER SUNDAY AFTERNOON WITH NO WORD NO BOND ROW ON

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Well, that’s it for S-ROCK trio Another Sunday Afternoon (left to right above: Zhiwei Xu, Caleb Lye & Kamal Yacob), they have released their final single, “No Word No Bond Row On”, a chilled out instrumental rock beauty. We caught up with frontman Caleb Lye, for the last word on Another Sunday Afternoon.

What has the band been up to since The Bookmark?

Since releasing The Bookmark (2012), we’ve been playing some shows, with the highlight probably coming when we opened for Biffy Clyro in 2014.

No Word No Bond Row On is an instrumental track. Why?

Honestly, I think we kind of ran out of interesting things to talk about, to sing about. Our music has always been primarily about telling good stories, and I guess when you run out of good stories to tell, you lose your voice. We also thought it would be cool to explore instrumentals and soundscapes. I’ve always been a fan of layering and this seemed like a good time to get into that. 

Is this a new direction or just a minor detour?

I think it’s neither really. It would be cool to do something like this as part of your traditional Another Sunday Afternoon album, as a segue, to connect the rest of the tracks to each other.

What does the title signify?

This is where it gets really interesting. We asked our friend Charlie, who came up with the title for our first album (“The Uncanny Tree of Fractured Hearts: featuring the Peculiar Case of Janet Leno and other short stories”), to help us out for what could possibly end up as our last effort.  She came up with this because, after listening to a demo of the song, she thought it would be cool for the title to be a palindrome (even though the song, in itself, isn’t). We’re also very lucky to have Boon, who designed the album art for “The Bookmark”, come up with an ambigram, which was really cool. So if you actually flip the album art upside down it says exactly the same thing!

What were the feelings and ideas you wanted to convey?

When we let some of our friends listen to it, a lot of them mentioned that this sounded like a perfect song to say goodbye. Maybe it’s something like this – something different (and free!) to remember us by, till we see you all again.

It’s not really goodbye to Another Sunday Afternoon, is it?

Well truth be told, I think in its current incarnation, this is sadly, probably it. We do need some time to go away, rediscover ourselves, think about what kind of music we really want to bring to the table the next time – so it’s something like a soft reset if you like. Probably play with other bands, expand our music palette, evolve and come back in the not-too-distant future. I think that’s the key word for us: evolution – because we certainly don’t want to be doing that same thing over and over again!

And there you have it – pick up your copy of “No Word No Bond Row On” from Bandcamp now, and if you have not done so before, do check out the band’s other releases as well.

ALBUM REVIEW: BREAKFAST MUFF: THE FEELS

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What the fuck is ‘sparkle punk’? It’s probably an ironic made-up genre but that and the fact that there’s a song called “Cock” is what caught my attention.

Welcome to the world of Glasgow ‘glitter trash’ trio Breakfast MUFF. The Feels is the very anti-thesis of everything is ‘proper’ about popular music in 2015. Y’know lofi, shambolic, amateurish, three chords, low grade fuzzed guitars, disturbing lyrics, songs that never hit 3 minutes and singers who sound like they don’t give a fuck!

Musically it reminds me of edgy, post-punk guitar pop-rock of 1979-era XTC, The Slits, The Raincoats and Wire – which never hurts.

I’m just a bit concerned that The Feels might be a novelty record. I fucking hope not!

If you really must – https://www.facebook.com/BreakfastMUFF

KOJI PRESENTS RAW HARD ROCKIN’ TRIBUTE TO PULP FICTION

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If there’s one inescapable fly in the S-ROCK ointment, it’s the lack of meaningful lyricism, the fear of exploring concepts beyond the purely emotional (the ‘affairs of the heart’ cliche). Thankfully, that is not the case with Koji’s new free track – “Mrs Mia Wallace” – which functions as a tribute to the Pulp Fiction characters famously played by Uma Thurman in the Quentin Tarantino classic.

There’s something wonderfully shambolic about the quartet’s hard rockin’ agenda – channeling Wolfmother via Led Zep – although the quality of the vocals might need sprucing up. But one cannot quibble too much with the infectious riffs that dominate “Mrs Mia Wallace” and that is one memorable take-away. Download the track for free now!

Check out the lyric video also!

Connect with Koji!

Facebook https://www.facebook.com/KojibandSG

KILL TEDDY EVOKES 90S ALT-ROCK WITH CAROLINE SINGLE

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I am not being facetious when I say that much of modern pop is not even music anymore but rather a combination of beats and sounds calculated to appeal to the lowest common denominator. But thankfully, there are bands out there who ignore what generally passes for pop nowadays and latch on to a style that might not be hip or cool to the kids today but remains true to their own artistic sensibility.

One such band is Kill Teddy who described themselves as a alternative/grunge band and hope to revive the Seattle grunge sound of the 90s. Well, the new single “Caroline” is certainly in the right direction with its anthemic chorus, crunchy guitars and off-the-wall CSNY bridge (with Beach Boys reference?). Check it out!

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VICTOR LOW’S SONGS OF THE WELL WILL THRILL CHILDREN OF ALL AGES!

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Now here’s something completely different!

Victor Low (formerly of Concave Scream and The Observatory) has recorded and released an album of short instrumental tunes (mostly under 2 minutes), that he says were inspired by his own childhood and the bedtime stories shared with his young daughter, Ee Shahn.

These ten tracks are delightful and thoughtful experiments into songwriting targeted for children or the young at heart. Mostly neo-classical in tone with acoustic guitars (steel and nylon) at the fore, assorted percussion and the occasional cello (courtesy of Zhong Ren Koh), it’s easy to simply play through the duration of Songs of the Well and revel in its rustic sophistication.

My personal favourites are “Drip Drop”, “Swallow” and “Geckos of Eastwood” – which highlight Low’s focus on naive charm but the arty “Song of the Well” recalls Low’s time with art-rock ensemble The Observatory. It’s an atmospheric ambient song whose origins, Low was kind enough to elaborate on.

“When I was writing the songs in this album. I would often bring my guitar out of my studio to sit in the stairwell where I live, just to get a bit of a natural reverb. This really helped me to ease into the ideas and finish writing the songs (or the main bulk of it) rather quickly. A thought occurred to myself that these songs seem to be coming from “the well”, and it ended up being the title of the album. Ironically the track “Song of The Well” was the only song not written from the stairwell. Instead it was done in my studio, using music boxes, cymbals and effects”.

If there is one obvious complaint, it is that the songs are too short! I mean, once a enthralled listener really gets into the piece, it’s over!! Hopefully, Low will see fit to expand on the artistic success of Songs of the Well to give us fans more in the years to come. Please encourage that possibility by purchasing Songs of the Well.

… still there’s more … 

CHEATING SONS – HONEYMOON SINGLE

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Regular visitors to Power of Pop would be aware that I managed Cheating Sons effectively from July 2011. Fact is I am no longer managing the band so I can say with a clear conscience that their upcoming sophomore effort is worth the years it took to put it together.

Good news is that the first single – “Honeymoon” – has just been released today and you can pick it up at Bandcamp. “Honeymoon” is 60s pop goodness channeled through the sensibilities of Roy Orbison and Teresa Teng and it’s textural complexity will give fans and newbies a good idea of what to expect when the new album drops.

… still there’s more … 

THE HANGABOUTS DELIVER THE PERFECT POP UNDERGROUND THROWBACK WITH ILLUSTRATED BIRD

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Yes so why does it seem that the music of yester-year is miles better than anything new? Seems to have been the case since Y2K (mayhaps that was what the Millennium Bug was really about?). Consisting of John Lowry, Greg Addington and Chip Saam, the Hangabouts bring to mind the wonderful pop-rock music of 90s bands like Fountains of Wayne, Pernice Brothers and Teenage Fanclub where melody is paramount above all else. Lovers of that special rock era will never tire of what the band has to offer and will savour Illustrated Bird from beginning to end. Of course, suffice to say that the three Bs loom large as influences i.e. The Beatles, The Beach Boys and The Byrds. It does not get any better than this when it comes together this well. Check out the interview we did with the band below.

Continue reading “THE HANGABOUTS DELIVER THE PERFECT POP UNDERGROUND THROWBACK WITH ILLUSTRATED BIRD”

GARFIELDS BIRTHDAY KEEPS OLD FASHIONED POP MUSIC ALIVE WITH NEW ALBUM YOU ARE HERE

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For better or worse, Garfields Birthday is a Power of Pop kind of band. Meaning that the music of Garfields Birthday upholds all the principles that Power of Pop believes must exist in order for music to be vital and powerful. Strong melodies with classic pop-rock arrangements and an uncompromising attitude to make music that is all about… the music.

Since the mid-90s – the height of Britpop – Garfields Birthday has been sporadically releasing EPs and albums that have never failed to adhere to the classic pop-rock aesthetic, even as this kind of music continues to be marginalized in the mainstream pop world.

Continue reading “GARFIELDS BIRTHDAY KEEPS OLD FASHIONED POP MUSIC ALIVE WITH NEW ALBUM YOU ARE HERE”

PoPTV: PASTELPOWER – OH, LOUIE

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This came out on Christmas Eve but better late than never as Cherie Ko hams it up as forlorn & neglected housewife on this official music video for “Oh, Louie”. The song is suitably retro and thus Power of Pop fans would eat this up ravenously and the video has sufficient cuteness overload as well. Sorted on all counts.

Facebook: http://www.facebook.com/pastelpower
Twitter: http://twitter.com/cherieko
Instagram: http://instagram.com/cherieko

2014 IN MUSIC

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Only one contender for PoP Album of the Year. JPNSGRLS epitomizes the best hope for the continuing history of Rock ‘n’ Roll even as the tsunami of prefabricated pop threatens to wipe our beloved music off the face of the earth. Nothing remotely hipster-ish about Circulation and thank GOD for that! Find out why below!!

Continue reading “2014 IN MUSIC”

MYRACLE BRAH RELEASES NEW “THE PEACH EP” VIA FREE DOWNLOAD AT BANDCAMP

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“Myracle Brah is an American indie pop/power pop band primarily centered on singer-songwriter Andy Bopp.”

What it fails to say that at one point in the 90s, Brah’s debut LP – Life on Planet Eartsnop – was on heavy rotation, not only in my CD player but in my very consciousness. This LP served to be my doorway to the 90s Pop Underground, which was a magical epoch of 60s retrolicious goodness. Since that epochal album, there have been highs and lows for Andy Bopp’s music BUT I am so glad to report a spanking new EP that rekindles this pop lover’s belief in the POWER of POP!

For the time being, the EP is free via download at Bandcamp. If like me, you dig bands that channel The Beatles, Big Star & Badfinger without sacrificing an iota of self-expression then The Peach EP is a godsend! What are you waiting for?

... still there’s more … 

SOULFUL BLUES ROCK FROM MICAH OLSAN & THE MANY’S NEW EP “ALL AROUND”: NOW AVAILABLE FROM BANDCAMP

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There’s much to admire on this new EP from Micah Olsan & the Many. According to his bio, “Micah has been an active performer in the Midwest music scene for the last seven years. His diverse songwriting takes folky storytelling, interlocking guitar parts, and passionate, soaring vocals and places them smoothly on top of a funky, jazz and world-infused rhythm section. Micah’s writing draws on influences from Paul Simon to Radiohead and the Talking Heads.”

Certainly, tracks like “Trouble” and “All Around” will appeal to the punters who love trawling blues-rock pubs with the songs’ authentic roots demeanor. One to consider. Check it out at Bandcamp.

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PoP RECOMMENDS: PUP

Regular PoP visitors will be keenly aware of my aversion towards ‘pop-punk’ in modern rock parlance. But of course, there is still a place for punk-rock in 2014 for any band who is clever enough to not be limited by ‘genre’ but instead is able to use punk as an attitude to approach music making. Case in point – Toronto outfit PUP, who consists of Stefan on vox / guitar, Zack on drums, Steve on guitar and Nestor on bass and simply classify their music as ‘loud’!

Continue reading “PoP RECOMMENDS: PUP”

PoP RECOMMENDS: MOTHBOXER

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Some of the classic pop music was written in the studio, without having been road-tested in live performance. The Beatles and The Beach Boys come easily to mind, of course. Appropriately, Dave Ody (aka Mothboxer) names both bands as principal influences and it’s no surprise that his music reflects the same ethos that his more famous forebears pioneered and mastered during the 60s.

Continue reading “PoP RECOMMENDS: MOTHBOXER”

HOT BUZZ: LESLIE LOW – NO SUCH THING AS GHOSTS

Leslie Low released an instrumental album earlier this year which flew somewhat below the radar for most #sgindie fans. But now Low is back with an album of ‘proper’ songs that absolutely nobody should ignore. Based on the tracks previewed at Bandcamp, the album – No Such Thing as Ghosts – is typical Low fare. Meaning that it is sophisticated indie folk songwriting of the highest order expressed purely via voice and acoustic guitar. The Observatory frontman releases the album in several formats in September. Find out more.

Look out for reviews and interviews related to this release soon…

LOST WEEKEND – ON A SUNDAY / ABOUT FOREVER

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There is always something one can take away from ‘classic’ pop songwriting. Whatever the era or the ‘genre’ classification, somethings do not change viz. memorable melodies, familiar chord progressions, soulful vocals and of course, an indefinably cool vibe.

To have seen Lost Weekend grow from that tentative pop group I had witnessed at last year’s Baybeats auditions to the confident music makers evident on this brand new double-A side single has been eminently satisfying.

“On a Sunday” will appeal to all lovers of indie pop – whether or not they are old enough to know the meaning of “C86” or simply as a ‘genre’ that gets attached to hipster music festivals – with Rachel’s sultry vocals and Jonny’s Fannies-inspired guitar solo the prominent hooks.

“About Forever” is yet another track that recalls the glorious pop music of the 80s, substantively of the kind that the likes of Elvis Costello & Squeeze would regularly churn out i.e. with enough soul-R&B elements to keep things interesting. There is a groove driven by Mark’s bass work and Zj’s drums that totally underpins the song perfectly.

Two prime examples of matured songwriting that bodes well for fans of well-crafted song-oriented indie pop. Bloody essential! Get the single now from Bandcamp!

GITAR – ACTIVE CULTURES

Over at their Facebook page, the trio known as Gitar describes its ‘genre’ as ROCK N ROLL. Which is fine with me! Cuz I understand that term to mean – meaningful 60s/70s rock styles. Upon closer inspection, the band is probably kindred spirits with Frank Zappa, Talking Heads, Captain Beefheart & Steely Dan and any other band that gives sophisticated rock music a couple of offbeat & oddball twists.

Which makes new album, Active Cultures, a bit of an acquired taste. I mean, I would not imagine that contemporary indie kids will have the stomach for much of Gitar’s thoughtful experimental progressive work. Tracks like the funky “Spiritual Dunk”, the Beatlesque “Infamy Dream” and the quirky “New Martyrs” possibly get as pop as they get but even then, this is definitely one for the serious minded music enthusiast.