7 AND 7 IS: WHY YOU SHOULD BE LISTENING TO R.E.M.

R.E.M.

Yet another new feature at the bi-polar webzine, “7 and 7 is” in honour of Love’s seminal proto-punk masterpiece. Basically seven reasons why you should be listening to a band/artist that I am intent on recommending to you, dear reader. Well, actually seven of my favourite tracks of that particular band/artist – you get the general idea. This week: R.E.M.

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KAMCO MUSIC RE-ISSUES WATCHMEN’S DEMOCRACY LP AND LOVE EP

Democracy-sleeve-back

It’s a bit surreal to be writing about these KAMCO Music re-issues. Simply because both releases came out more than 20 years ago! It’s seems unreal to think that two decades later, I am able to make them available to the world in a manner that was impossible in 1993/1994. Does the world really need these re-issues, probably not but it’s not about that. Rather it’s more about the historical significance of these releases in the context of my life and that of the Singapore music scene.

For me personally, as a musician who grew up in 70s Singapore when rock ‘n’ roll was suppressed by the authorities, it was difficult to conceive of a local music scene that would accept my original music but thankfully that happened in the early 90s (in my early thirties) with Democracy and Love. That scene now appears to be light years away from where we stand now – and thank GOD for that too! Listening to the music now brings upon me waves of nostalgia and if any of this resonates with you then you can head on down to the various links below and I appreciate your support for all these years.

I want to take this opportunity to thank the kind souls who helped to make Democracy and Love whatever they might mean to folks now – Tony Makarome, Patrick Chng, Ben Harrison, BOSS Studios, Odyssey Records and of course, Eric Khoo.

iTunes

Democracy | Love

Amazon

Spotify

Democracy | Love

… still there’s more … 

GEEK OUT! THE MAN IN THE HIGH CASTLE IS HIGH CONCEPT SCIFI TV AT ITS BEST

man-in-the-high-castle

Directed by David Semel.
Starring Alexa Davalos, Rupert Evans, Luke Kleintank.

Now, this was unexpected. A TV adaptation of Philip K Dick’s classic scifi novel of the same name, The Man in the High Castle has been produced (by Ridley Scott!) with its pilot just been released (FREE) and is definitely worth watching!

For those unfamiliar with the novel, in The Man in the High Castle, Dick imagines an alternative reality where the Axis powers won WWII and split the USA between them viz. Japanese Pacific States (West Coast) and Greater Nazi Reich (East Coast). The plot revolves around the daily life of the inhabitants of this reality in 1962.

Overall, the pilot is rather slow paced but it builds the world imagined by Dick brilliantly. One is kept guessing throughout this episode but it lays down sufficient groundwork to keep interest high. Especially with the twist at the very end, I can’t wait to watch the rest of this ambitious series.

2014 IN FILM

Favourite movies of 2014. And why.

GotG-poster

1. Guardians of the Galaxy (Directed by James Gunn)

No surprise here. Gunn took an unlikely B-grade space opera comic book story and transformed Star Lord, Gamora, Drax, Rocket and Groot into a family of heroes fighting for the galaxy. In doing so, Gunn infused comedy and drama brilliantly to convey all the wonder of a ‘real’ comic book experience.

2. Predestination (Directed by the Spierig Brothers)

Sleeper of the year! Low budget scifi at its best. Sterling performances from Ethan Hawke and Sarah Snook coupled with a very tightly woven tale makes for an enthralling film. Very faithful to its source material (Heinlein’s -All You Zombies-), Predestination is way up there with all the best ‘mindfuck’ flicks like 12 Monkeys & Inception. Keep a close watch on Michael and Peter Spierig.

3. Nightcrawler (Directed by Dan Gilroy)

An intense study of sociopathic attitudes (as embodied in Jake Gyllenhaal’s Lou Bloom), debutant director Gilroy presents a scathing commentary on the modern law of the urban jungle. In the mind of Bloom, survival of the fittest takes on ominous tones and Gyllenhaal’s masterful performance is both chilling and impressive. Gilroy is another directorial talent to look out for.

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