THE KAMCO MUSIC RE-ISSUE PROGRAMME BEGINS NOW

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KAMCO Music started life as KAMCO Records in 1998 – a label through which I could self-release Popland’s Groovy album. 17 years later, KAMCO Music (physical releases are so passé) embarks on a new adventure with digital distributor Believe Digital with the re-issue of my three solo releases thus far.

#alpacablues (2014)

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Previously released only on Bandcamp, this EP is now available at iTunes, Amazon (etc) and the relevant streaming platforms for the first time. Contains the radio-friendly “I Want What I Can’t Have” and you can buy it for a reasonably low price.

iTunes

Emo FASCISM (2013)

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My first album since 2001, was released on the 20th anniversary of my first LP, Democracy (with Watchmen). Notably distinctive for containing mostly jazz-pop numbers (!) and also having a single rejected for radio play by Mediacorp Radio viz. “Beyond the Ashes”. Now you really need to pick this up!

iTunes

@midnight (2008)

@Midnight

Originally released under the Watchmen moniker (and also only on Bandcamp), I have decided to reclaim @midnight EP as a solo release. Significant for featuring a youthful incarnation of The Groovy People viz. Esther Low (keyboards), James Lye (guitars), Low Han Quan (drums) and Brian Leery (bass). Mid-priced as well! Enjoy…

iTunes

Re-issues of Watchmen, The Crowd and Popland to come in the next two weeks.

… still there’s more … 

THE LONG AND WINDING ROAD

Photo by Cass Goh

DON’T SPOOK THE ALPACA

Over the course of the last three weeks, The Groovy People and I did a couple of gigs in support of #alpacablues. Overall, I felt that the band was in top form with Eileen Chai on violin providing the distinctive flavour that carried us over the top. Considering how badly Emo FASCISM was received last time out, I kept my expectations for #alpacablues extremely low. This was the best way to approach these bunch of gigs as well and in the final analysis, I had fun. It was great to see friendly faces at Artistry, Hood Bar & the Esplanade. Most of all, it was amazing once again to play with Patrick Chng, Ray Aziz, Nelson Tan & Benjamin Ang – I love them all as friends and respect them all immensely as talented musicians. It is never easy playing live in Singapore where audiences are not as appreciative as you would like them to be especially with music that they are not familiar with (i.e. NOT COVERS) but once you keep that firmly in mind, you can get by fairly well. Managed to get hold of the soundboard recordings from the Esplanade so check them out below.

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THE LONG AND WINDING ROAD

Photo by Ray Aziz

DON’T SPOOK THE ALPACA!

Six months after launching Emo FASCISM at Artistry, I was back to promote the release of #alpacablues EP with The Groovy People in tow. There wasn’t much of a crowd there but I do appreciate the kind friends who took the trouble and effort to demonstrate their support. Much obliged! These ranged from my latest RP students (Josephine, Fatin & Wei Ren!) to the legendary Vernon Cornelius (of The Quests!).

Photo by Don Shiau

In the final analysis, I was just happy to be playing with some of my favourite people viz Patrick Chng, Ray Aziz, Nelson Tan, Benjamin Ang & Eileen Chai – all of whom I love and respect so much! It was historical occasion as well as I actually opened for myself for the first time! Basically, I did a 30 minute solo acoustic set before playing a full set with The Groovy People.

All good fun for sure, and it was great to have an appreciative crowd. Sure beats having a packed house ignoring you and talking to themselves! In any case, two more shows before DON’T SPOOK THE ALPACA is done. This coming Saturday (15th) at Hood Bar from 8pm (supported by the amazing Another Sunday Afternoon!) & next Saturday (22nd) at the Esplanade Outdoor Theatre from 8.45pm. See you there!

In the meantime, #alpacablues is available at Bandcamp for US$1 until the 15th March! Get it now!

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#alpacablues

I am proud to announce that my new EP – and my second official solo release – is now available at Bandcamp. You can buy the EP for US$1 until 14th March, wherein it reverts to full price. I am quite sure that #alpacablues is probably my best recorded music to date and this has been done to the fine work from my collaborators viz. Ray Aziz (percussion), Nelson Tan (upright bass), Eileen Chai (violin) and Pat Chng (recording/mixing). Not forgetting of course, the wondrous cover art from Andy Yang. Recorded in about five sessions, the songs on the EP represent a watershed of sorts for me. I have decided to put behind me the overtly melancholic sentiments evident on both Emo FASCISM and #alpacablues and move ahead to make brighter music. Already, I have in mind an electronic pop project for the latter part of 2014. But in the meantime, I hope you will enjoy #alpacablues.

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THE LONG AND WINDING ROAD

#alpacablues will be released on 15th February at Bandcamp for US$1 and will be available at that price for a month. Thereafter, the EP will be available at all good digital platforms for the full price (i.e. US$4.00) In the meantime, this is the world premiere of “I Want What I Can’t Have”. Enjoy…

Cover artwork by Andy Yang http://andyyangillustrates.wordpress.com/

STAGEFRIGHT X

Goes without saying that local original music needs more exposure and so I am pleased that STAGEFRIGHT @ Artistry is now into its 10th edition. Tonight, the lineup is –

8.00pm to 8.15pm Che Cereza
8.20pm to 8.35pm Hiroki Sunayama
8.40pm to 8.55pm Richard Philip
9.00pm to 9.15pm The Winged Butter Cats

Come on down and enjoy some mid-week refreshment. I will be playing a couple of new tunes from the upcoming #alpacablues ep at the end. See you there!

More info.

THE LONG AND WINDING ROAD: #alpacablues

Two months after the release of Emo FASCISM, I am working on my new 4-track EP, #alpacablues. Why so soon? Well, in actual fact, Emo FASCISM was recorded a year ago and most of the songs are already old news to me. I am a naturally restless soul and thus…

In any case, I don’t want to say too much about the new music but instead will let you listen to a sampler of the raw mixes so far below.

… still there’s more …