Last time out, I reported that one of my indie rock faves, JPNSGRLS had morphed into Hotel Mira, with a dynamic new single, 3AM Lullaby.
New song “Baby” ups the ante with a sophisticated arrangement that belies its melodic simplicity. Running gamut from funk to alt-rock to soul-pop, “Baby” is a triumph of determined songwriting without sacrificing an iota of hooky satisfaction.
The trio will be releasing a collection of six songs on August 17th. Can hardly wait!
I’m often at a loss as to why people find my obsession with Power Pop Rock N Roll incomprehensible. All I’m looking for is music that is ‘real’ and resonates with my own unique tastes. Real music made by real people. Case in point – Trip Wire.
‘Popular’ music in Singapore currently falls neatly into two categories. One, smooth urban electro-soul that reflects the entitled materialistic extravagance of the nation’s youth and two, atmospheric dreamy indie pop that is a contradiction of faux-art pretensions and grassroots endeavour. FERS is firmly in the latter camp.
From The Byrds to Big Star to The Soft Boys to R.E.M. to Felt to Teenage Fanclub and beyond, jangle-pop has always held a special place for lovers of Power Pop Rock N Roll. Now, add The Love-Birds to the list.
Philadelphia-based band Oldermost, have announced the release of their fourth album, How Could You Ever Be The Same? (out July 13th via AntiFragile Music). In conjunction, the band is sharing the album’s rollicking, anthemic lead single “The Danger of Belief”.
As I watched Hanging Up the Moon (Sean Lam) deliver his beautifully crafted acoustic works in a little record store in the slick cold environs of the Esplanade Mall, I could not help but notice the curious onlooking shoppers wondering what the hell was going on.
Astral Drive is songwriter and producer Phil Thornalley’s vision of a long lost album from the 1970s that only existed in his own mind. A labour of love that is very much the statement of a lifelong music fan living in the modern world.