This month I celebrate the wonderful music of one of my favourite bands – Genesis.
By and large, reboots of scifi movie franchises that began in the 80s, have not had a great track record.
Finally finished re-watching LOST, all six seasons. And I am satisfied and contented.
Why describe yourself as “alternative pop” when it’s obvious that you are influenced by Orange Juice and Josef K – purveyors of classic ’80s indie pop?
Blast from the distant PoP past – 15 years on…
THE JAYHAWKS Rainy Day Music (Lost Highway/American)
After the greater pop emphasis of Sound of Lies and Smile, the Jayhawks return to the roots rock approach of their earlier albums (especially Hollywood Town Hall and Tomorrow the Green Grass) with this, their first album with the Lost Highway label (also home of that other alt-country standard bearer, Ryan Adams).
Metal pioneers Judas Priest return to Singapore on December 4th at ZEPP@BIGBOX Singapore!
Ari Aster’s debut feature Hereditary has been hailed as one of best new horror films in recent times. Does it justify all the praise that it has received?
Lots of quality behind and in front of the camera, as far as this 8-part adaptation of Sharp Objects was concerned.
Nic Pizzolatto’s anthology crime drama True Detective returns with Academy Award winner Mahershala Ali in the lead role.
Opinions. It’s all we have when it comes to Pop Culture. And opinions are shaped by age, education, upbringing, peer group etc.
Risk-taking is such a rare thing in the contemporary music scene, that when it does happen it hits us like a lightning bolt!
An ELO review from 2001!
If the announcement of a new ELO album, after a 15-year absence, raised eyebrows, then the realisation that Zoom is essentially Jeff Lynne playing everything caused many brows to furrow.
According to Deadline, Apple has ordered a 10-episode series from Skydance Media adapting Issac Asimov’s classic Foundation series.
London rockers The Swagger release their new single “Heart ‘N’ Soul” which continues in the vein of their debut EP (2016) i.e. a ballsy amalgam of ’90s Britpop and ’00s garage-punk that deserves our attention!
The Dahlmanns return with “American Heartbeat”, a teaser for upcoming new album of the same name, dropping at the end of the month!
Back in the hazy-dazy days of 2001, I had put together a feature on one of my favourite bands, the Electric Light Orchestra, which included reviews of then-new album Zoom and the Eldorado re-issue and Flashback boxset.
Continuing our look back at the Power of Pop archives…with a review from Sherwin Tay.
JEREMY Glow In The Dark (Jam)
A “theatre of the mind” would be an appropriate approximation of Jeremy’s music; a whirring coalescence of Pink Floyd, shot through a tunnel of Tangerine Dream(s) lined with smidgens of Sigus Ros, emerging on an astral plane where celestial guitar virtuosos retire to as existentialism sleeps off its tribulations.
Another new release from a member of the Pop Underground – this time, it’s Kerry Kompost Chicoine!
After teasing a couple of excellent singles (“Ginger Ale” and “Baby” in particular), the debut EP of Vancouver’s Hotel Mira has dropped today.
Huxley Rittman is back with his merry band of Hitmen with the slinky blues-rock number, “Go Figure”.
A gorgeous country-inflected slow rocker from Fernando Perdomo featuring vocals from Pat Sansone (of Wilco, Autumn Defence fame).
Christopher Nolan’s game-changing Dark Knight is a decade old! Here’s my contemporaneous review.
It makes a whole lot of sense that the second film in Christopher Nolan’s reboot of the Batman franchise is called The Dark Knight. After all, Frank Miller’s Dark Knight Returns revived the moribund comic book industry (together with Watchmen) and challenged fans to take the super hero a bit more seriously than before.
My favourite music revels in eclecticism – taking basic building blocks and constructing wildly imaginative creations that impress and surprise even the most jaded of music experts.
I have previously covered the music of DC power trio Dot Dash and will always be pleased to do so as they competently encapsulate everything Power of Pop stands for.