Korean monster movie Monstrum is a competent genre flick with an interesting plot somewhat spoiled by its own premise.
Mention Styx online and chances are you are going to be trolled. But for a time, the pop-rock quintet were one of the biggest bands on the planet.
Some of you folks may be aware that I suffer from anxiety disorder. It’s not something that is too obvious if you know me casually but that’s becuase it’s very easy to hide.
In my thirties, it was pretty bad – married with children and being the sole breadwinner was not helpful to my mental well-being. But since I turned 40, I have become more self-aware about my condition and learning slowly but surely to deal with who I am.
So here I am, knowing the importance of the here and now. Present sense. In the past decade, I have gone to hell and back but with such valuable lessons.
Yesterday is gone forever and tomorrow might never come. All I have is today. Live in the moment, my friends.
… still there’s more …
Continuing my rundown of the movies I am looking forward to at the upcoming Scream Asia Film Festival. Read Part 1.
As faithful readers would know, I effectively boycotted this seemingly pointless movie when it was released in cinemas, due to The Last Jedi‘s desecration of the Star Wars legacy. But to be fair, I decided to see for myself – so to speak – as the movie has just been released digitally.
Finally! A genre film festival in Singapore, we can call our very own!
Curated by local filmmaker Eric Khoo with South Korean film programmer Jongsuk Thomas Nam and organised by mm2 Entertainment, Scream Asia Film Festival promises to be exciting, ground-breaking and of course, terrifying!
The Predator is ostensibly a sequel to the first two Predator movies – referred to in passing in the movie – though for all intents and purposes, it is a soft reboot of the scifi-horror franchise.
When Trump became President, there was lots of talk about how resistance to his administration would inspire loads of protest music similar to the 80s with Ronald Reagan and Margaret Thatcher. Has not quite panned out that way, so thank goodness for Seattle’s The Refusers!
The moment one gets into Ken Sharp’s latest album, Beauty in the Backseat, one is transported back to the ’70s, where pop-rock was king of the airwaves.
Now this is more like it! A band that self-identifies as a punk band and none of that fuckin’ “pop-punk” bullshit!
As part of its 60th anniversary, the Singapore Film Society (SFS) has programmed a series of independent award winning documentary films between September to October as its core screenings in the lead up to the Singapore premiere of Sandi Tan’s award-winning SHIRKERS on 20 October.
Feel-good pop music is what Sure Sure is interested in. After all, the quartet has already amassed 14 million plays on Spotify, so…
Fans of Singapore film should not miss the various screenings of local film shorts and features in the month of September.
White Denim are back with yet another collection of iconoclastic rock ‘n’ roll songs!
Faithful followers of my misadventures would have realised that I have stepped back from the Singapore music scene, for reasons previous enumerated.
Music films are all the rage now, it seems – and I do not mean musicals!
Once again, Bittersweet Machines (a.k.a. Matt Mocharnuk) delivers another potent shot of melodic adrenaline infused with 80s pop-rock sensibilities of the highest order!
Buffalo Boys is helmed by first time director Mike Wiluan and jointly produced by Infinite Frameworks and Zhao Wei Films.
It’s finally here! Entertainment Weekly‘s exclusive first look at the upcoming highly anticipated Captain Marvel movie!
Faithful visitors to Power of Pop will know how much I am a fan of the music of young singer/songwriter/guitarist Huxley Rittman.
This month I celebrate the wonderful music of one of my favourite bands – Genesis.
By and large, reboots of scifi movie franchises that began in the 80s, have not had a great track record.
Finally finished re-watching LOST, all six seasons. And I am satisfied and contented.
Why describe yourself as “alternative pop” when it’s obvious that you are influenced by Orange Juice and Josef K – purveyors of classic ’80s indie pop?
Blast from the distant PoP past – 15 years on…
THE JAYHAWKS Rainy Day Music (Lost Highway/American)
After the greater pop emphasis of Sound of Lies and Smile, the Jayhawks return to the roots rock approach of their earlier albums (especially Hollywood Town Hall and Tomorrow the Green Grass) with this, their first album with the Lost Highway label (also home of that other alt-country standard bearer, Ryan Adams).