MARK BACINO

MARK BACINO Queens English (DreamCrush Music)

When I first started the Power of Pop – back in 1998 – I focused pretty much on the US Pop Underground which was vibrant at the time. One of its chief proponents was New Yorker Mark Bacino and his wonderfully sweet powerpop album Popjob, an album which was prominent on my playlist back then.

Five years later, Bacino released Million Dollar Milkshake, which moved me to describe it as “a 12-track journey into the heart of soft pop bliss where the aim is to please, sooth and caress (all in a family-oriented way, of course!) the jaded rock and pop enthusiast”.

Well, it may have been seven long years but on 18th May, that third Bacino album – Queens English – will finally be released and I am glad to report that it’s definitely worth the wait!

It’s been a while since a “traditional” powerpop album has excited me in this way. With Queens English, Bacino has developed his craft even further with the inclusion of baroque instrumentation (strings and horns) to imbue his soft pop leanings with chamber pop elements.

Much of Bacino’s lyrical concepts deal with his family life especially in songs like the jaunty Muffin in the Oven and the cheeky piano ballad ┬áCamp Elmo. In fact, there is an altogether welcome absence of angst throughout Queens English, which is indeed refreshing. Songs like the funny rockin’ title track (Queens, NYC not Queen of England, heh!), the music hall-channeling Happy, the lushly orchestrated Bridge and Tunnel and the folk-poppy Ballad of M and LJ, complete this picture of contentment.

Musically, Bacino never strays too far from his strengths, keeping faith with his fabulous melodies and the inspirations of the Kinks, Elvis Costello, Brian Wilson, Burt Bacharach and Jellyfish. Which is fine in my book. If there is only one powerpop album you pick up in 2010, it would have to be Queens English.

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