Check out this intriguing film event organised by Objectifs.
Highlighting the voices of women in film, the Women in Film programme aims to showcase and celebrate the diversity and strength of each female individual’s works throughout their careers. In this inaugural edition, films from Kirsten Tan, Sun Koh, Pimpaka Towira and Naoko Ogigami will be screening at Objectifs. Two films, Roxy and Sussane (dir. Kirsten Tan) and Drem of Gerontius (dir. Sun Koh) will be making its debut at Women in Film.
I was invited by my buddy Michael Lim (Singapore Film Society) to a screening of Leonardo Cinieri Lombroso’s When the Rooster Crows, a documentary on diversity and richness of Southeast Asian Cinema. The documentary highlights four indie film-makers viz. Brillante Mendoza (Philippines); Pen-Ek Ratanaruang (Thailand); Eric Khoo (Singapore); and Garin Nugroho (Indonesia).
Ostensibly, I was supposed to contribute to a post-screening panel discussion with Lombroso and Michelle Goh (who acted in Eric’s Mee Pok Man and still looks fresher than the first time I met her 20 years ago!) but really had nothing much relevant to say, except that Eric was a buddy of mine too.
Since I got to watch the movie free of charge, I thought it’d only be fair to share a little review. Conceptually, I loved the way that Lombroso approached the movie not merely as a standard documentary but as a film in its own right. Thus, there was a narrative running through its 88 minutes (that’s a very Eric Khoo number, by the way) that not only featured the subject film-makers and their films but also the context of their muse (their countries of origin).
The manner in which one segment segued into the next seamlessly added to this overall effect and emphasised Lombroso’s observation that even though the four countries highlighted are often differentiated from one other, there were many similarities as well. In particular, in the obstacles that each independent film scene faced in their own countries – whether it be social or political. What was evident was that each scene, as represented by each film-maker, dug deep into the human soul – the belief, the creativity and the fighting spirit – in order to produce works of film art that resonated beyond their respective shores.
One of the obvious takeaways was that each film scene needed to support one another so that South East Asian indie film could be developed and nurtured. Thus, perhaps a more vibrant regional film scene – one that cross-pollinated across boundaries would be a solution to the usual gripes about lack of local support.
For me personally, there was an allegory to be drawn with the music scene here – that we needed to reach out to the music scenes regionally and not be too myopic about confining the building of a fan base to the hard ground that is Singapore. Definitely something to chew on.
More information about the Singapore Film Society may be obtained from its official website.
Based on the book by writer Andy Weir, The Martian is the story of astronaut Mark Watney’s survival on the planet Mars after he is left stranded.In that respect, one might say it’s basically Robinson Crusoe on Mars with better science and no Friday. It’s also similar to Gravity, where Sandra Bullock’s character is stranded in outer space and has to find her way back to Earth. Or even Tom Hanks’ Castaway? Or… what was the name of that movie when I was a child? Lost in the Desert?
As you can tell, the premise is nothing new and there are numerous stories about the lost or stranded protagonist who needs to survive and to find his or her way home. Therefore, there was a sense of trepidation before watching The Martian – mainly because of that familiar storyline. But to the credit of director Ridley Scott, scriptwriter Drew Goddard and the cast, The Martian is executed brilliantly and is ultimately a very emotionally resonant, thought-provoking and entertaining film. And also rather surprisingly, very funny as well.
Speaking of the cast, apart from Damon’s usual reliable star turn, special mention must be made of the performances of Jeff Daniels (as Teddy Sanders, head of NASA), Chiwetel Ejiofor (as Vincent Kapoor, a NASA mission director), Jessica Chastain (as Melissa Lewis, Ares III commander) and Sean Bean (as Mitch Henderson, a NASA mission director).
The presence of Bean inspired probably the most bizarrely comical segment when a secret project is dubbed “Elrond” with references of The Lord of the Rings being thrown about! Unbelievable! If you don’t quite get this then you need to understand that Bean played Boromir in The Fellowship of the Ring.
Most everything worked in The Martian, which is not often the case in recent movies helmed by Scott but it does seem that the veteran director has gotten his mojo back – which bodes well for the Prometheus sequel.
But well before that, make sure you do not miss The Martian – a feel good scifi movie that affirms the ‘never-say-die’ ethos of the human spirit.
FILMComments Off on GEEK OUT! THE WORST SUPERHERO MOVIES OF ALL TIME
If nothing else, the Fantastic Four reboot has gotten us thinking about the worst superhero movies out there – of which there is an abundance, sadly.
Well, first up, of course, the obvious ones from DC’s World’s Finest, no less.
SUPERMAN IV: THE QUEST FOR PEACE (1987)
How did this franchise go from highly acclaimed (the first two instalments) to an absolute dud?
BATMAN AND ROBIN (1997)
Tim Burton revived the Bat-franchise with two well-received dark movies before Joel Schumacher decided to have some campy fun with the character. George Clooney famously said that he almost single-handedly killed the Caped Crusader! A nadir for the superhero genre.
X-MEN: THE LAST STAND (2006)
Again, two hit movies in the franchise somehow led to a turkey. Bryan Singer abandoned this 2nd X-Men sequel to helm Superman Returns (more of that later) leaving Bret Ratner to pick up the pieces. What he assemble was a travesty that subsequent X-Men movies have barely acknowledged. Favourite line? “I’m the Juggernaut, bitch!”
X-MEN ORIGINS: WOLVERINE (2009)
Now, Fox had a huge hit with The Last Stand (based on the goodwill generated by the first two X-movies) so they probably thought, let’s take the most popular X-Man and make an origin movie that is just as bad. Here’s how awful this was – they sowed up Deadpool’s mouth! Seriously WTF!
SUPERMAN RETURNS (2006)
Not content in being an indirect cause for X-Men: The Last Stand sucking so bad, Bryan Singer had to foist on us all this ill-judged sequel to Superman II. C’mon! It was obvious from the beginning that this was the wrong approach for Superman in 2006.
Yes I do realise that there are still many more out there but the ones highlighted above were serious tentpole movies that spent a fair amount of money but failed as creative endeavours (some of them actually made big bucks). Thus, I ignored the likes of Daredevil, Thor: The Dark World, Iron Man 3, Green Lantern, Amazing Spider-Man 2 etc. Considering the only superhero characters at risk now are solely in the hands of 20th Century Fox (Daredevil and Punisher have thankfully reverted to Marvel and SONY is working with Marvel on Spider-Man), there is still scope for bad superhero films with the upcoming Deadpool, Gambit and upcoming X-movies. Fingers crossed, everyone!
FILMComments Off on GEEK OUT! TIME FOR FOX TO RETURN THE FANTASTIC FOUR TO MARVEL (SPOILERS)
(Note: This review is filled with spoilers. Mainly because I find it hard to believe that after reading this, you would be insane enough to still want to watch this turkey!)
This Fantastic Four reboot never had a chance. From the get-go, geeks hated it. From director Josh Trank boasting about how his version would be a ‘game-changer’ to the controversial casting, this reboot has had a troubled journey. Sadly, the finished movie justifies the hate and then some.
In an attempt to ‘modernise’ the origins of the Fantastic Four – and borrowing from the Ultimate Fantastic Four series – the movie gutted out everything that made Fantastic Four so special in the first place. That sense of connection. One never got that sense from this movie.
In the comic book origin, scientist Reed Richards and pilot Ben Grimm were best friends; Susan Storm was Richards’ girlfriend and Johnny Storm was Susan’s brother. Without the pre-existing relationship between Reed and Susan, their link is tenuous. Also, in the movie, Susan and Johnny are adopted siblings and of different races as well. This made any connections between them rather hard to swallow.
From that poor foundation, it becomes impossible for Trank to build up an effective story with too many plot holes to fill. For example, Reed is recruited by the Baxter Institute by way of a science fair experiment? Ludicrous. Susan gets her power without even being part of the inter-dimensional jaunt? Illogical. After the accident, Reed disappears for a year – a plot point that fails to serve the story at all!
The movie takes ridiculous short-cuts throughout, without any explanation. We never see how the characters develop their powers – we are given the finished product instead. The battle scenes are incredibly lame and do not get me started how Fox utterly fucked up Doctor Doom yet again!
Firstly, how did Victor Von Doom survive for a year in Planet Zero (not the Negative Zone, as it should have been). Secondly, why are there no security precautions to deal with Doom when everyone who returned from Planet Zero has some incredible powers. Finally, why is it so easy for the Fantastic Four to dispatch Doom when earlier he was shown to kill people by merely looking at them?
Suffice to say that this is one of the worst superhero movies in recent memory and will take its rightful place alongside X-Men: The Last Stand, X-Men Origins: Wolverine, Superman Returns and Spider-Man 3.
DO NOT WATCH THIS MOVIE AND HOPEFULLY IT WILL BE ENOUGH OF A FAILURE SO THAT FOX WILL GIVE UP AND RETURN THE FANTASTIC FOUR TO MARVEL.
FILMComments Off on GEEK OUT! HE’S TASTELESS, DUMB & ULTRA-VIOLENT – YES, DEADPOOL GETS HIS OWN MOVIE TRAILER!
The Merc with the Mouth gets his own movie! And it certainly looks like Ryan Reynolds was born to play Deadpool – though am not sure if that’s much of a compliment. And judging from the red band trailer, it’s everything you expected a Deadpool movie to be. Not quite sure if that’s a good thing though.
FILMComments Off on GEEK OUT! PLAYING THE SPY GAME
The spy movie genre still remains popular amongst film goers even in this age of superhero dominance. To demonstrate that, here are three upcoming spy movies that fans should pay attention to.
MISSION: IMPOSSIBLE – ROGUE NATION
Tom Cruise and company are back to save the world and this time, they face their most formidable challenge ever – a nation of enemy spies (!) and Cruise himself has to up the ante (performing some very dangerous stunts) to provide that box office spark! Opens on 31st July.
THE MAN FROM U.N.C.L.E.
Now, the original TV series meant quite a bit to me when I was a kid in the 60s – though to be honest I can’t remember a thing about the show – so I suppose I have a certain stake in wanting this to be a success. That said, the trailer looks quite silly but am hoping that the charisma of Henry Cavill (as Napoleon Solo) will carry the movie through. Opens on 14th August.
The grandaddy of all spy movies is still going strong. The James Bond franchise has outlasted all pretenders and this time round the Daniel Craig-Bond finally encounters his arch-nemesis SPECTRE. Opens on 6th November.
FILMComments Off on ANT-MAN IS GOOD SUPERHERO FUN – NOTHING MORE, NOTHING LESS
I suppose it’s something we somewhat take for granted but it’s hard to believe that Ant-Man is the 12th Marvel Studios superhero movie! The mere fact that I can write the words “superhero movie” is already a minor miracle considering that these were rare once upon a time. So I enjoy the superhero movie phenomenon as long as I can.
But seriously folks, compared to other action-adventure blockbusters franchises, superhero movies have generally been good entertainment, value for money and relatively well written to boot! Sure, there have been a couple of exceptions but overall, it has been a good run since the first Iron Man.
And that’s the movie that Ant-Man most feels like – it’s the origin story of a man in a suit which grants him super powers – and for most part, director Peyton Reed (who took over from Edgar Wright) has done a commendable job in keeping the movie well afloat despite its problems in pre-production.
The difference between Iron Man and Ant-Man is that with the latter, there is now a vast backstory to contextualise the tale. This applies especially to this Marvel Cinematic Universe version of Ant-Man, where we now discover that Hank Pym and Janet Van Dyne had been working with SHIELD (as Ant-Man & Wasp) in the 80s. Also, instead of Yellowjacket being one of the manifestations of Pym’s insanity, it is a separate (villainous character, altogether). All this serves to give greater depth to the MCU.
In addition, there is a marked lighter tone to Ant-Man that is similar to that encountered on Guardians of the Galaxy, which puts Paul Rudd (Scott Lang) right in his element. The means by which Pym (Michael Douglas) recruits Lang as the new Ant-Man is cleverly handled with the first sequence where Lang shrinks down, a wonder to behold! Evangeline Lilly provides Lang with an apt foil – as Hope Van Dyne (Pym’s estranged daughter) and the possibility of another female Marvel superhero (stay for the post-credits scene!).
There is an unevenness about how the film ends, which is not helped by the two post-credits scenes but perhaps that’s the idea – to make us geeks feel like the MCU is one ever continuing story. For what its worth, Ant-Man has earned its right to be part of the tale’s unfolding.
FILMComments Off on GEEK OUT! FANTASTIC FOUR – OFFICIAL TRAILER 2
Last time out, Fox botched its characterisation of Dr Doom – one of the most iconic of super-villains – and that, and it’s rather campy approach marked its first attempt at adapting Marvel’s Fantastic Four as a failure. Watching this final trailer for this FF reboot, it is clear that the critical point of acceptance will once again hinge on the handling of Doom.
Apart from that, based on the trailers so far, this reboot looks like a serviceable origin story, using the Ultimate Fantastic Four series as a strong inspiration. In a year of mega-blockbusters like Fast and Furious 7, Jurassic World and Terminator: Genisys letting us down on the basic story front, hopefully Josh Trank’s Fantastic Four will surprise us all with a solid plot and characters, even as Marvel Studios itself roots for it to fail.
FILMComments Off on GEEK OUT! SUICIDE SQUAD: COMIC-CON 2015 FIRST LOOK
There have been doubts about Warner Bros throwing in a Suicide Squad movie adaptation so quickly in the mix but they wanted to different themselves from Marvel Studios, then this is certainly one way to do it! A super-villain team-up? How more contrasting to The Avengers can you get? From the trailer, it is clear who will getting the most fan attention – Margot Robbie’s Harley Quinn and of course, Jared Leto’s Joker. Looks like an interesting ride, if nothing else.
FILMComments Off on GEEK OUT! BATMAN V SUPERMAN: DAWN OF JUSTICE – COMIC-CON 2015 TRAILER
Zack Snyder has well and truly thrown down the gauntlet for DC superheroes with this new Batman v Superman trailer!
The trailer explains the background behind why the Dark Knight would want to take down the Man of Tomorrow and in doing so gives a solid middle finger to all the trolls who have been bitching about the third act of Man of Steel all this time!
There are great shots of Wonder Woman to savour as well and it does look like B v S is going to give Captain America: Civil War a good fight for superhero movie of 2016.
FILMComments Off on GEEK OUT! TERMINATOR: GENISYS IS A CONFUSED & ILL-ADVISED ATTEMPT TO REVIVE A BILLION DOLLAR FRANCHISE
I really only liked the original.
The Terminator (1984) was a game-changer in scifi genre movies, stringing together themes that have inspired countless other movies. Every succeeding sequel has failed to match the brilliance of the original, even if the first sequel (Judgment Day) is still rated very highly. But since director James Cameron left the franchise, the quality of the work has been shoddy and Genisys might be the worst. Primarily because it is such an obviously cynical attempt to appeal to the franchise faithful.
In that light, perhaps it’s no surprise that Genisys fails artistically and creatively, to justify its existence whatsoever. At least one might argue that the third (Rise of the Machines) and the fourth (Salvation) instalments were genuine attempts to continue the narrative. Genisys, however, is a complete mess – functioning as some kind of misguided collage where time travel is utilised as a device to mangle the original storyline beyond recognition.
It is not cleverly done at all – it’s just a convenient excuse to get killing machines into battle and throw issues of continuity out of the window AND above all, exploit a very recognisable brand name! The producers have indicated their confidence in the new retcon with subsequent sequels to be released in 2017 and 2018 respectively.
FILMComments Off on GEEK OUT! ANT-MAN INTERNATIONAL TRAILER PROMISES MUCH FROM THE END OF PHASE 2
Ant-Man opens on 16th July and might be a good indicator of where Phase 3 of the Marvel Cinematic Universe (MCU) is headed. This new international trailer (from Japan) highlights a little bit of our protagonist Scott Lang’s back story and also some history regarding Hank Pym and the Ant-Man suit.
By all accounts, it appears that Ant-Man is set up to take over from Iron Man in certain ways even as Robert Downey Jr winds down his MCU involvement. This movie is looking funny, exciting and a key MCU jumping point. Expecting the post-credits scenes to be epic!
You see that image above? That’s really what modern day blockbusters have done with plot, characterisation and narrative logic. Gobbled it all up in the name of box office green. Special effects rather than good writing create ‘tension’ and ‘drama’. This visual feast has audiences going ga-ga over the empty spectacle while ignoring plot holes & shallow one-dimensional characters. But it’s all okay, it’s only a movie so relax, why don’t you?
Well, remember that you reap what you sow. All the box office millions earned by movies like Jurassic World and less we forget, the Transformers franchise only leads to more similar movies. As it is, movie studios are terrified about releasing ‘genre’ films unless it’s a sequel, reboot or book/comic/TV adaptation and the mega-success of Jurassic World simply cements that opinion.
There’s little point in going into these issues in detail but suffice to say that: –
1. Bryce Dallas Howard’s character spends the entire film in high heels whilst running and battling dinosaurs.
2. The manner in which the ‘evil’ dinosaur is defeated by the ‘good’ dinosaurs is preposterous.
But why bother about making sense when you can make US$500 million in a weekend instead?
FILM, MUSICComments Off on REEL TO REAL: LOVE & MERCY – A MOVIE OF TWO HALVES
If you know nothing about Brian Wilson and the Beach Boys, I suggest that you swot up before watching Love & Mercy. Cuz it will get bewildering. Or maybe that’s the point of it all!
This biopic of Wilson elects to focus on two very specific periods in the singer-songwriter’s life. First, from about 1964 – 1967, where Wilson had suffered an anxiety attack and ‘retired’ from live performances to concentrate on recording and producing resulting in the masterpiece Pet Sounds LP and the failed attempt to delivered the radical Smile album (whereupon Wilson basically withdrew from the world). Second, in the 80s regarding his guardianship under dubiously abusive therapist Eugene Landy and his budding romance with Melinda Ledbetter (whom he would later marry).
FILMComments Off on GEEK OUT! James Cameron says Terminator: Genisys is ‘official’ third film in saga
The director of the first two Terminator movies has said new movie has ‘reinvigorated’ the franchise and audiences should dismiss the third and fourth instalments
Interesting endorsement from Terminator’s “Daddy”. Apparently, he loved the twist – already spoilt by the trailers – of John Conner becoming the villainous terminator! Presumably that twist was needed to reinvigorate the franchise – we’ll see whether the box office agrees.
FILMComments Off on FAERYVILLE – A FAIRY TALE OF NIGHTMARISH REAL WORLD CONSEQUENCES
The problem with Tzang Merwyn Tong’s FAERYVILLE – if one can even call it a problem – is that the movie might be too ambitious for its own good.
FAERYVILLE is a movie with a strong message, in fact there are quite a few to go around. These themes are expressed in the context of a surrealistic satire on modern life. The title refers to an imaginary fairy tale like setting and in particular, a tertiary educational institution.
Within this context, there are two main competing factions/power bases viz. the haves and have nots. Tzang wants us initially to sympathise with the Nobodies, a group of outsiders (ostensibly led by Poe – wonderfully played by Lyon Sim) who spend their time being rebellious by committing illegal albeit harmless pranks. The group is joined by the mysterious Laer (a moody performance from Aaron Samuel Yong) and then the stunts turn dangerous and events spiral out of control.
The group’s antics are contrasted with the bullying tactics of the Calvary (the frat boys equivalent of the college) who lord their authority over everyone else – seemingly with the acquiesce of its principal – which often turns very dark without warning. This conflict invariably and inevitably leads to disaster, tied in inexplicably with former anarchist Belle, before panning out into a disturbing conclusion.
Trying to find a delicate balance between art and commerce, Tzang has had to cast his actors carefully (eye candy is in abundance – look out for Tanya Graham and Jade Griffin) and mix up his high concepts with highly charged moments (including several explosions and sexual scenes) but without compromising the underlying message, where possible. Overall, I believe Tzang has succeeded in creating a thought-provoking movie but fear that it might somewhat fly over the heads of most people in his own homeland.
Which is ironic considering that much of FAERYVILLE is inspired by growing up in Singapore but what is the saying about a prophet not being recognised in his own hometown? A brave and remarkable vision that might be a little obscured by technical and budgetary issues but for the true seeker, there is much hidden treasure to discover in FAERYVILLE.
FAERYVILLE will open in Singapore on 26 May 2015, exclusively at Filmgarde Bugis+
Tickets on sale from 7 May, www.fgcineplex.com.sg
FILMComments Off on GEEK OUT! Ultron’s Massive $188M Debut Falls Short of Avengers Record – Box Office Mojo
According to Box Office Mojo, “Avengers: Age of Ultron ruled the box office this weekend with a huge $187.7 million, which is the second-biggest debut ever. Unfortunately, the top opening ever belongs to its predecessor, Marvel’s The Avengers ($207.4 million)” which is a great start, of course, and continues to augur well for the future of the MCU.
The site also noted that “the Avengers sequel also continues to do strong business overseas, where it’s earned $439 million before even debuting in China or Japan”. Which hopefully means that the movie will go on to outgross Transformers: Age of Extinction.
FILMComments Off on GEEK OUT! TO THOSE WHO DISLIKED AVENGERS: AGE OF ULTRON
If you have read my spoiler-free review, you would be aware that I loved Avengers: Age of Ultron and consider it by far the best superhero movie ever so far. However, based on numerous online comments, it has become de rigueur to label the movie as a disappointing sequel to the first movie, with the common criticism being that the movie has too much going on. My first reaction to this is — have these people ever read an actual superhero comic book before? Probably not. In that regard, I believe that director Joss Whedon made Avengers: Age of Ultron for us geeks and for that I am certainly grateful!
FILMComments Off on GEEK OUT! Superman vs. Batman? DC’s Real Battle Is How to Create Its Superhero Universe – Hollywood Reporter
Warner Bros. is employing a different strategy than Marvel as it hires five writers for ‘Wonder Woman,’ has no clear leader and deals with new frustrations in its struggles to craft a compelling 10-movie world.
COMICS, FILMComments Off on GEEK OUT! COMIC BOOK ART ALWAYS COMES FIRST BEFORE STORY
Let’s get real, shall we?
When it comes to stories presented in words and visuals, the visual aspect will always trump the word aspect. That is why movies like Transformers: Age of Extinction and Furious 7 are able to do well at the box office despite not having very good stories. This also applies in comic books, which is – like film – a graphic medium and very much dependent on the visual quality for its appeal and success.
Of course, I am not saying that the writing does not matter in comic books but even the best work of my favourite comic book writer Alan Moore, was enhanced by the sterling work of his collaborators viz. Steve Bissette (Swamp Thing), John Totleben (Swamp Thing, Miracleman), Dave Gibbons (Watchmen), Kevin O’Neill (League of Extraordinary Gentlemen) etc etc. Which made Moore’s Supreme much less than expectations due to the artwork of Rob Liefeld!
Which is why ultimately I believe that Jack Kirby deserves more credit for the success of the Marvel Universe than Stan Lee. Moreover, Kirby had significant input in many of the classic Marvel Universe issues as plotter! It’s impossible to imagine a single modern-day Marvel film without the contribution of Jack Kirby and yet, only with Avengers: Age of Ultron, was Kirby credited as a co-creator, alongside Stan Lee. This was, of course, due to a recent settlement between Marvel and Kirby’s estate.
However, to the layman movie goer and naive self-professed fan of the Marvel films, Stan Lee will always be thought of as the creator of the Marvel Universe, with each succeeding annoying cameo being shoved down everybody’s throat. But whilst Lee’s hokey self-aggrandisement continues to reveal the huckster that he has always been, the Kirby legacy can be seen by all – unwittingly – in every costume design and most importantly, every powerful fight scene!
FILMComments Off on GEEK OUT! JARED LETO’S JOKER IS REVEALED
Why so serious?
The Joker in Suicide Squad makes no sense to me at all. Can you imagine the Joker as a team player? So for me, that whole concept is already somewhat of a non starter.
But of course, Warners wanted a character that would conceivably sell tickets (nobody else in the Suicide Squad has that profile – Captain Boomerang?) and thus the rationale becomes crystal clear.
Remember the last time, geeks kicked up a fuss (pre-movie) about the Joker? The late Heath Ledger gave the performance of his life, which earned him a posthumous Academy Award (f0r a superhero film, no less). Therefore, as much as the tattoos seem very un-Joker-like (“Damaged”? Really?), seeing is believing and let’s watch the Suicide Squad before going ballistic.
FILMComments Off on GEEK OUT! AVENGERS: AGE OF ULTRON IS THE BEST SUPERHERO MOVIE EVER MADE SO FAR!
So much hyped up expectation for this sequel to the billion dollar making Avengers movie but guess what? It makes good on every single expectation and more! Director Joss Whedon fills up its 2-hour plus duration with so much comic book goodness that this geek was gushing throughout.
And as good as the original Avengers was, Age of Ultron somehow trumps it in so many ways. For one thing, the group dynamic is handled so well. We can see little smaller groups forming up that suggest camaraderie, shared mistrust and even romance. This push and pull amongst the Avengers gives the story much depth and superhero realism.
The plot line of course, as has been revealed in all the trailers involves villainous robot Ultron cutting his puppet strings and threatening to destroy the world. But really folks, it is much more. This feels like a stronger movie than the original – and how often can we say that about sequels?
For the comic book fan, the movie is chock full of so many nods, winks and references that this geek was smiling like an idiot throughout its duration. For the casual movie goer, the action, the humour and the epic drama will have you coming back again and again. I sincerely hope that this movie will also break the billion dollar barrier so that more movies like this will be made!
A moment of satisfaction arrived during the main credits when Jack “The King” Kirby FINALLY gets his due as a co-creator of The Avengers. About fucking time. But those in the know would have felt the spirit of the late great Kirby running through the MCU from day one i.e. Iron Man. This time around, the battle sequence in the church was shot like the finest Kirbyesque fight scene – the power and the glory!!
Suffice to say, this movie is essential viewing and at least THREE times, at that!
Avengers: Age of Ultron is showing at the cinemas now.