Category Archives: FILM

Film of every kind.

REEL TO REAL: THE DIARY OF A TEENAGE GIRL

THE DIARY OF A TEENAGE GIRL - 2015 FILM STILL - Pictured: Kristen Wiig as Charlotte Goetze, Bel Powley as Minnie Goetze and Alexander Skarsgard as Monroe - Photo Credit: Sony Pictures Classics
THE DIARY OF A TEENAGE GIRL – 2015 FILM STILL – Pictured: Kristen Wiig as Charlotte Goetze, Bel Powley as Minnie Goetze and Alexander Skarsgard as Monroe – Photo Credit: Sony Pictures Classics

Synopsis
A 2015 American coming-of-age drama written and directed by Marielle Heller, based on the graphic novel The Diary of a Teenage Girl: An Account in Words and Pictures by Phoebe Gloeckner. The film stars Bel Powley as a 15-year-old girl (Minnie) who becomes sexually active by starting a relationship with her mother’s boyfriend (played by Alexander Skarsgård).

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GEEK OUT! ROGUE ONE: A STAR WARS STORY TRAILER

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Do we really need movies set in the Star Wars shared universe? Well, if you are Disney and desiring to recoup some of the $4 billion they paid George Lucas for the franchise, then definitely!

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No familiar ‘legacy’ characters here though, which makes Rogue One: A Star Wars Story a bit of a risk. Not at all, of course, as the zombies will come out in force to have their brains eaten by more fan-service masturbation.

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GEEK OUT! BATMAN V SUPERMAN: DAWN OF JUSTICE

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Background
Not the sequel to Man of Steel (2013) but according to director Zack Snyder (300, Watchmen), the outright launch of the DC Cinematic Universe (DCU) with the first appearance of Batman (Ben Affleck), Superman (Henry Cavill) and Wonder Woman (Gal Gadot) together in the same movie. Key question is whether the movie itself can justify the slew of DCU films coming up in the pipeline, and in particular, Justice League (2017).

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GEEK OUT! BATMAN V SUPERMAN: DAWN OF JUSTICE – THE BEGINNING OR THE END OF THE DC FILM UNIVERSE?

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Once upon a time, movies based on DC Comics characters were the most high profile and successful comic book adaptations, viz. Batman and Superman. Then, Marvel got their act together and a billion-dollar franchise (without the X-Men, Spider-Man or the Fantastic Four, mind you) was developed!

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GEEK OUT! SOYLENT GREEN: A RETROSPECTIVE ASSESSMENT BY MARIA RAMOS

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Soylent Green on Energy Use, Pollution, and Overpopulation

1973’s Soylent Green may be best known for being people, but this classic of dystopian science fiction is much more than a catchphrase. At its heart, Soylent Green is a story of an overtaxed world, class disparity, and the trade-offs that humanity finds itself making in the name of survival. As a vision of the future it proved ahead of its time, envisioning what could happen if consumption were to continue unchecked.

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REEL TO REAL! FILM REVIEW: ANOMALISA – MOVIE OF 2015

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Apart from writer-director Charlie Kaufman’s Anomalisa being animated from stop-motion puppetry, there is initially nothing too different about the film. But knowing Kaufman’s reputation for weird story-telling (Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind), that normalcy does not last for too long.

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GEEK OUT! THE FRANCHISE MOVIE – BOON OR BANE?

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Fans and critics have been sharply divided in their opinion over Star Wars: The Force Awakens. For the detractors, the launch of the new trilogy is a simple re-hashing of plot elements from the original trilogy whilst the supporters feel that the movie has injected a freshness into the franchise after the disappointment of the prequel trilogy.

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GEEK OUT! 2015: THE YEAR IN MOVIES

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In hindsight, 2015 has proven to be a rather disappointing year for geek movies. Despite the hype accorded to Star Wars: The Force Awakens, JJ Abrams’ reboot of the franchise proved less than satisfying but that could not stop the movie from grossing over a billion at the box office (and still going strong at time of posting).

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GEEK OUT! FILM REVIEW – THE LOBSTER

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More avant-garde/speculative fiction/fantasy than outright scifi, Greek director Yorgos Lanthimos’ The Lobster is a triumph of imaginative allegory. There is a strong message running through the narrative that somewhat loses steam in the third act. The set-up though is well conceptualised.

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