It’s the morning after and my head is still buzzing. Not from alcohol (really…!) but from the excitement of Rock the Sub. Mainly, of course, it was from the sheer fun and enjoyment I experienced from playing with the Groovy People at Timbre – packed with its customary Saturday crowd. But more of that later.
Yes, you know I love them but last night they managed to blow me away all over again with a scintillating set that included a spine-tingling Gamajazillion. This song is a unique proposition with unexpected chorus chord changes and a Beatlesque middle eight. Not your usual Singapore indie fare, I can tell you. Despite my usual reserved nature, I was screaming and hooting when the song was over.
Yeah, you know the girl is one of my favorite Singapore performers but it really seems that she has grown by leaps and bounds (erm, not height-wise of course – heh! sorry, inch, couldn’t resist) and her vocals has really matured into a fine-honed instrument. The band launched its new EP, Wake Up and Smell the Seaweed, at Rock the Sub last night, and I understand that whatever was on sale was entirely sold out! No surprise to me of course. If you haven’t already, go out and get the EP in the stores.
I tried to catch as many bands that I could but as I was also performing it was a tad difficult. In any case I did manage to watch –
This trio really does sound like a local indie band from the 90s! In essence a school band, there is quite a bit of potential in songwriting and performance but still have some way to go in execution. They possess good stage presence and are confident enough to indulge in a few gimmicks and tricks of the trade. If they can improve their songcraft, Armchair Critic will become a band to watch.
You and Whose Army?
With Adam in the army (the SAF that is – look, boys and girls, irony), Leonard subbed on bass and did a good job. The band did their best to deliver a tight set but were weighed down by technical problems. Still, despite all that, the band was good enough to impress me with the increasing ambition of their songs although the performance was a little uneven in parts. The band will be on hiatus with Bonk enlisting soon but expect them to be on their game at Baybeats in two months time.
With only Atwell Jansen remaining from the original line-up, Heritage still managed to whip up a robust set of classic 70s rock. With the influences of Jethro Tull, Led Zeppelin and the best blues-rock bands resonating, it was a nostalgic for me (Heritage headlined the first rock concert I ever attended) and yet remains relevant in the 2000s. Inspiring.
The gothic style of alt-rock that Lunarin favor is not really my cup of tea but I will say that the band are possess a deft touch at delivering what would otherwise be “doom & gloom” music. Vocalist/bassist Linda Ong catches the eye – not merely for her hot goth-girl appeal – but also for her skillful bass playing. The audience was certainly impressed by the tightness of the band. Pity we will not be seeing Lunarin for the rest of the year.
The Groovy People!
Possibly our best gig so far and with six of us on stage, it was fairly loud. For me, it was a case of “Thundercats Are Go!” the moment I launched into chords of Never Liked the Beatles and never looked back. I’m glad to see that our cover of Hot Burrito #1 received a few appreciative nods. Dream come true, I can tell you. Of course, the songs that were universally enjoyed were the topical ones e.g. High Cost of Living, I Love Singapore and Gum. And of course, My One & Only… Thanks to the Groovy People viz. Benita, James, Bonk, Brian and Thomas for making it all possible.
But of course, the greatest buzz comes from interactions with great people in the scene – so thanks to Terence, Kevin, Seow Yee, Esmond, Poh Choo, Ivan, Thomas, Fir, Song, HQ, Zaki, Aaron, Mark, Inch, Joe & Adele, Kenneth, Florence, Sebastian, Spencer, Ivan (Thomas), Gerald, James (Woo), Pio, Linda, Jonathan, Melissa, Christopher, Syed (and if I omitted to mention anyone, my apologies) for a night of good conversation and of course, great laughs.
… still there’s more …