Here’s a urgent newsflash from the good people over at Ujikaji Records.
We’re taking 1-week-only pre-orders at a special price for this collection of 26 Nusantara gems released on the US label Sublime Frequencies. Comes in “tri-fold digipak with gorgeous artwork, two 40 page booklets with insanely extensive liner notes including band/artist bios, an overview of the era, translated lyrics, and plenty of rare photos taken from vintage magazines, album covers, and the artists’ own personal collections.”
Email firstname.lastname@example.org by 28 Feb 2013 if you want this CD as we are highly unlikely going to bring in many extra copies.
Click here to read more about the album from the Sublime Frequencies website.
No frills melodic rock n’ roll is the only item on the Hot Nun agenda and why the hell not? With a bio that declares that rock is not dead, Jeff Shelton (guitars, vocals, bass) and Braden McGraw (drums) keep things simple and straightforward on this eponymous debut. With eight songs that celebrate “The Spirit of ’76”, the album is aimed directly at classic rock n roll lovers and fans of Cheap Trick, KISS, T. Rex and Glam-era Bowie. Rollicking numbers like “Who Do You Love” and “Fight Fight Fight” will get adrenaline pumping easy enough. No denying the sheer power of this uncanny album, with the faithful rendition of Bowie’s “Queen Bitch” the perfect touchstone of what Hot Nun is all about.
This is so infectious it should be illegal! Seriously!! I first saw Dru Chen at an open mike years ago and was deeply impressed with his swagger and innate soulfulness BUT this new single from the Melbourne based modern soul singer-songwriter exceeds all expectations. I mean, “You Bring Out the Best in Me” should be blaring out of every single radio station in Singapore. Be warned though, once that groove hooks in, you’re in trouble. Awesome.
Local folk-pop artist DEON has been invited to play at the prestigious Canadian Music Week 2013 this 21st March. Part of the crop of talents taking their music into foreign ground, DEON will be representing Singapore alongside local bands Inch Chua, The Sam Willows and Eli T.
It is a good time to be involved in the S-ROCK scene. Interest in the scene is definitely growing as the media gives it attention it properly deserves. More releases, more gigs, more open mikes, more bands, more venues…more, more, more! In the last two weeks, I managed to witness two launches – first, by Another Sunday Afternoon and last Friday, by Obedient Wives Club. These bands are very different in terms of musical approach and execution but share the same passion, talent and ability to touch and thrill true-blue music lovers. Also worth considering – the fledging outfits that opened viz Victoria Street and Rocketswan, interestingly enough, both female-fronted! Exciting times, indeed.
Six years in the making, the sophomore effort of The Great Spy Experiment arrives with the band a completely different entity to what it was when I first met Saiful, Fandy, Song, Khai and Mag in the rehearsals for Singapore Day in 2007. Interim period has seen marriages, children and daily challenges with the ubiquitous work-life balance. Factor in the creative musical need of recording artists and things no doubt become complicated.
In any case, I wanted to share with you the ‘video’ I put together to help push “Dare” along. It’s actually a simple photo montage chronicling my experiences in the local music scene in the last six years, the bands, the gigs and the people who made a difference. Yes, it’s a little self-indulgent but there you ago…
“Dare” is the first track to be made public from the Emo Fascism recording sessions which took place mainly in September last year at Patrick Chng’s excellent home studio. The album will consist of ten tracks (with two bonus tracks on the CD) and for the most part I wrote, sang, performed and produced the lot with Patrick engineering, mixing and mastering the recording. Only one other musician played on Emo Fascism (“Dare” to be specific) and I am proud to say that it was none other than Daniel Sassoon.
Daniel has of course, in the past, been closely involved with legendary S-ROCK bands like Livonia and Electrico. Of late, Daniel has been leading the instrumental rock outfit – In Each Hand A Cutlass – and is renowned for his talent and skill on the guitar. Sometime back, I had finally recorded a proper demo of “Dare” (which has been kicking around for decades – I shit you not) and sent it to Daniel for feedback. What I got was an offer to contribute guitar ideas to the track and I jumped – didn’t need to asked twice! So earlier this year, Daniel laid down his amazing guitar lines (and a mind-blowing solo) for “Dare” in a fecund three-hour session at Thom’s Loft.
And now you can hear the results! I am particularly proud of the final product and I am so excited to be able to share the first fruits of our labours with you all. If you liked what you heard, I hope you will share the links on your respective social media platforms and spread the word around! That would be so cool and greatly appreciated! Remember – Emo Fascism is due for release in August 2013.
I was interviewed by my former Budding Writer mentee Karen Gwee (now New Paper reporter) last night about the whole Ken Lim saga and she brought up an intriguing point about how the local indie scene may also have the commercial potential needed to save the local music industry from the verge of extinction, as Ken eloquently (and quite correctly) reckoned.
Case in point – this new single from The Summer State – which video has already garnered over 4,000 views in about a day! Rather removed from the emo-pop-punk style that I remembered the band playing in various auditions/gigs I have witnessed before. In fact, the song is a very radio-friendly pop ballad and targeted for mainstream audiences, with shiny production values to boot. Not my cup of tea, mind you, but I can understand the appeal the track will have for teenagers and tweens and this can only be a good thing for the local music scene. Check it out.
Good to see 90s indie artists still soldering on upwards and onwards. Case in point – Toronto’s Hayden has a new album – Us Alone – out now on Arts & Crafts. The hair may be visibly greying but the artistic vision has not diminished and the fire is still burning. This sad but hopeful song comes with a video that includes phone interruptions (like real life!) and the difficult concerns of the matured artist. Wistful but memorable.
The French rock n’ roll band known as Fuzzy Vox behaves as if no new music was made after 1969! This myopic vision provides incredible focus as this five-track EP amply demonstrates. The music here is simple yet powerful, straight-forward and visceral. If push came to shove, probably the most accurate reference point would be the first Stooges album. Sure, one could also point to the influences of the mod greats (The Who) and blues-rock legends (The Rolling Stones) but there’s a basic garage-punk energy that suggests Iggy and his band of freaks held greater sway. In the modern context, The Hives come to mind immediately and every other garage-punk revivalist you would care to mention. The scintillating cover of Jerry Lee Lewis’ “Great Balls of Fire” provides a clarity of purpose, translated well on the meaty title track, the beaty “Same Old Story”, the big “I’ll Be Gone” and the bouncy “Hurricane”. Pure & easy.
Listen to “I’d Be Gone” and the rest of the EP at Soundcloud.
Originally entitled Jack the Giant Killer, this latest Hollywood foray into the classic fairy tale update (Snow White and the Huntsman, Hansel and Gretel) looks like it might actually be worth the trouble. Directed by Bryan Singer – whose last two movies Superman Returns and Valkyrie were decidedly less than stellar – the movie tells the familiar story of a young farmhand (Jack) who must rescue a princess from a race of giants after inadvertently opening a gateway to their world.
A name like The Outfit does carry with it a certain association with 80s American new wave, doesn’t it? The hype pronounces The Outfit as a band that ‘offers an earnest take on garage rock revival, building on the ground laid out by such acts as The Strokes, and early Kings of Leon’. Somewhere in-between I suppose. As far as this track – “Strange Bones” – is concerned (off of the most current album, Broken West Wishbone Test), there is a fair bit of late 70s pub-rock, Two-Tone plundering, ska-punk and a healthy dose of The Clash thrown into the overall mix. All good, in my book! The video? It’s suitably vintage and retro-delicious laced with bizarro puppeteering to boot.
Experimental-noise-jangle-pop-drone is probably the closest description I could conjure for this new song from Suuns. Not only that but the video of “2020” will probably give you a headache as well. Contrarian art-punk anyone? At least, this is one aspect of the 80s that has been given less attention so you could say that I am having fun with this. Fans of the Velvets, JAMC and Flaming Lips might get a rise out of this. The rest of you stay the fuck away!
After a wait of 22 years, without much fanfare, comes the third My Bloody Valentine album. The first three songs – “She Found Now”, “Only Tomorrow” and “Who Sees You” – sound like the band have always been around (which is probably true, legacy-wise) with the noise-drenched indie pop fans have come to know and love. Then we get “If This & Yes” which sounds uncannily like a Beach Boys outtake from the mid-60s (or a High Llamas track – same difference), eschewing guitars for keyboards. From then on, the agenda is to subvert expectations somewhat with sonic explorations of a similar vein (“If I Am” and “A New You”) and foot firmly off the distortion pedals. The final trio of songs (“In Another Way”, “Nothing Is” and “Wonder 2”) get decidedly experimental in terms of guitar textures and rhythmic expression. All of which makes for an intriguing comeback and fairly worth the prolonged wait!
According to Hype Records’ owner (and former Singapore Idol judge) Ken Lim, the local music industry is on the “verge of extinction” and that he is the man who will save the industry. We wish him all the best! As far as the S-ROCK scene is concerned, more evidence of its good health can be seen in the following upcoming events: –
Another Sunday Afternoon: The Bookmark EP launch
The latest EP – which has been available for a couple of weeks now – will be officially launched this Friday, February 8th at Home Club. Victoria Street will be providing support. Entry is $12 with one standard drink (including entry to Kicks! later). The Bookmark has been well-received thus far with TODAY stating that “it’s satisfying to witness the continued artistic development of our local bands that despite all odds, manage to produce music that can only be described as ‘world-class’. Add The Bookmark to this burgeoning list”. The fun begins at 8pm.
Power of Pop is truly looking forward to the Bloc Party concert at the Fort Gate, Fort Canning Park on Monday, 18th March and came up with the five reasons (below) why you just cannot miss this momentous gig. You’re ready?
Just got back from the Round Two of the Baybeats Auditions 2013 and we wanted to put out a quick response whilst our thoughts and feelings are fresh in my mind. This is the seventh year of the Baybeats Auditions where young local bands are given an opportunity to showcase their talents during one the largest alternative rock music festivals in the region. This year’s slate of hopefuls have thrown up a diverse array of bands/artists signaling a sea change in the very definition of alternative rock music.
First off, we want to congratulate all 16 bands for giving it their best shot. It is instructional to note that playing at the Baybeats Festival is not the be-all-and-end-all for aspiring bands/artists although it can be a useful launching platform for a new band. It is heartening to see the different bands provide a snapshot of what can be available in the S-ROCK scene in the years to come. we want to highlight bands that – in our humble opinion – represent exciting prospects for S-ROCK.
First off, let me get something off my chest. The SCAPE Gallery is a horrible avenue for live rock music performance. No two ways about it – the sound was so harsh and unbalanced at the venue that I felt physically nauseous at times. Which is a pity because certainly the four bands that played at this gig deserved a much friendlier platform to showcase their music. But there you go…
Sapporo Safaris will be playing at the Esplanade Outdoor Theatre on 2nd February, this Saturday, as part of the Esplanade’s February Freshie series. Other artists that will be featured in this series are Weish, These Brittle Bones and Another Sunday Afternoon. They will be playing two sets at 8.45-9.30pm and 10-10.45pm.
We understand that the band is really excited to be part of this series and to be given this opportunity to play at the Esplanade, especially since it had to pull out of the auditions to be in Baybeats 2013. The band will be playing tracks off its newly-released EP, Figures of Eight, as well as some new tracks. Merchandise will be available for sale viz. physical EP and tees.
There is little doubt that St. Jerome’s Laneway Festival (Singapore edition) has become a landmark indie music event in SE Asia since it made its debut in 2011. Fans from all over the region flock to our shores to catch a glimpse of indie artists/bands hand-picked by the team at Chugg Entertainment. With the recent deluge of performances available to Singaporean music lovers, it is sometimes easy to take an event like the Laneway Festival for granted. After all, it’s not often that a true blue music fan gets to watch 14 bands/artists in a single day in Singapore and for a reasonable price (especially in the context of today’s rock concert market).
Dan Chan, frontman of Xingfoo&Roy brings us his unique perspective of being a performer and audience member at Identite 8.4
I met Amir through a fellow local musician named Chris(also known as Bravepaper). After exchanging emails, Amir asked if our band would like to play at Homeclub’s Identite 8.4 and we gladly accepted!
We played Homeclub’s Big Night Out Launch party along with The Livid Suns and Deon Toh on the 25th (last Friday) and it was great. A fairy large crowd showed up and The Livid Suns kicked the party off with some of their original tracks. Ending with a cover of “Gold Lion” by the Yeah Yeah Yeahs. Their fierce musical style reminded me of comparable local acts such as Fire Away! Samson and Caracal.
Xingfoo&Roy played next and we can’t express the amount of gratitude we have towards Homeclub and the crowd. The crowd was warm and cheerful which vanished our anxiety almost immediately. The sound was also the best we’d ever had, so props to Homeclub for that! The show was amazing mainly due to the crowd as they danced and sang along to our songs. Pleasing the crowd drove us to play so much better than we ever have.
Ending the event with a mix of alternative-pop tracks was singer songwriter Deon Toh. Deon sang as his backing band complemented his songs. His creamy and soothing voice toned the mood down quite a fair bit and left the audiences bobbing their heads to a set of his original songs which included the catchy, “Little Lives” and they ended with a cover of a Band Of Horses song. Deon Toh is a very talented individual with an immense amount of soul and we hope to hear more from him in the near future.
On the whole, Identite 8.4 was a success and we’d love to thank Homeclub for being such a great contribution to the thriving local music scene.
Art students will find Art Decade thoroughly intriguing. The band describes its music as “neo indie classical, symphonic post-pop and rock” and the title track of its new album – “Western Sunrise” will certainly impress as it was made almost entirely using Procreate, a $5 iPad app. For the video, the band teamed up with visionary animator and director, Whitney Alexander. The initial concept of the video was to create a sort of painting in motion in the style of the impressionists. Judge for yourself!
Yes, we’re always on the look-out for good old-fashioned pop-rock sweetness here at Power of Pop! So here’s Sam Page, who’s got a new album in tow – Breach – and you can listen to “Hold On”, a charming lil ditty that recalls Dinosaur Jr and Matthew Sweet in a very good way. Check it out!